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Blagovna znamka kot figura fetišizma : diplomsko delo
ID Gmajnar, Aljaž (Author), ID Luthar, Breda (Mentor) More about this mentor... This link opens in a new window

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Abstract
Besedilo poskuša podati teoretski okvir za razumevanje blagovne znamke kot specifične figure logike blagovnega fetišizma. Avtor izhaja iz članka Slavoja Žižka z naslovom What is a brand? Marketing redefines our lives in strange new ways, v katerem Žižek pojasni logiko blagovnega fetišizma, ki ustreza kulturnemu oz. izkustvenemu kapitalizmu. Avtor v nadaljevanju sprejme Žižkovo izpeljavo, pri čemer izpostavi homologijo med fantazmatsko logiko blagovne znamke in logiko fetišizma. V nadaljevanju avtor najprej oriše logiko blaga (tj. Marxovo razumevanje blagovne in vrednostne forme blaga) ter – sledeč Lacanu in Baudrillardu – pojasni, kako v času kulturnega kapitalizma (tj. v luči znakovne kulture in logike označevalca) razumeti logično preobrazbo blaga ter kam v tem kontekstu umestiti blagovno znamko kot znakovni objekt potrošnje. V nadaljevanju avtor pojasni, kaj je fetišizem ter izpostavi funkcijo in mesto vpisa fetiš-objekta v libidinalni ekonomiji posameznika ter s pomočjo grafične sheme podrobneje predstavi njegovo logiko. Avtor nato v naslednjem koraku oriše Baudrillardovo zasnovo objekta potrošnje in izpostavi njegove temeljne karakteristike ter s pomočjo teoretskega modela, ki ga razvije, demonstrira tri ravni percepcije oz. dojemanja znamčnega koncepta: tj. (i) znakovno oz. logotipno raven, kjer je znamka pogoj in fetišistična opora želje, (ii) označevalno raven, kjer je znamka sistem razlik, ki ga poganja obljuba užitka, in (iii) fantazmatsko raven, kjer je znamka dojeta kot tisti pravi objekt potrošnje in fantazmatske zadovoljitve. V sklepnem delu besedila poskuša avtor, s pomočjo propozicij, ki jih razvije, odgovoriti še na vprašanje, kako blagovne znamke, kot znakovni objekti potrošnje, oblikujejo našo identiteto in način življenja.

Language:Slovenian
Keywords:znamčenje, logika fetišizma, znakovni objekt potrošnje, identiteta potrošnika, kulturni kapitalizem
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FDV - Faculty of Social Sciences
Place of publishing:Ljubljana
Publisher:A. Gmajnar
Year:2024
Number of pages:1 spletni vir (1 datoteka PDF (41 str.))
PID:20.500.12556/RUL-155733 This link opens in a new window
UDC:658.626:1(043.2)
COBISS.SI-ID:193689603 This link opens in a new window
Publication date in RUL:13.04.2024
Views:461
Downloads:95
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Secondary language

Language:English
Title:Brand as a figure of fetishism
Abstract:
The paper is trying to present a theoretical framework for understanding of the brand as a specific form of commodity fetishism. The author starts from Slavoj Žižek's article entitled What is a brand? Marketing redefines our lives in strange new ways, in which Žižek explains the logic of commodity fetishism that corresponds to cultural or experiental capitalism. In the following, the author accepts Žižek's argumentation and points to homology between the phanatsmatic logic of the brand and the logic of fetishism. The author then outlines the logic of commodity as elaborated by Marx and highlights Marx's understanding of it as use and exchange value and – following Lacan and Baudrillard – explains how, in the era of cultural capitalism (that is, in the light of sign culture and the logic of the signifier), commodity is logically transformed and how – from that perspective – one can understand the brand as a sign object of consumption. In the following, the author explains what is fetishism and highlights the function and place of inscription of the fetish-object in the libidinal economy of the individual and – with the help of a graphical shema – demonstraits its logic. In the next step the author outlines Baudrillard's conception of the object of consumption and points out its fundamental characteristics and – with the help of a theoretical model, that he develops – demonstrates three levels of perception of the brand concept: (i) the level of the sign or logotype, where the brand is perceived as the condition and fetishistic support of the subject’s desire, (ii) the signifying level, where the brand is a system of differences propelled by the promise of jouissance, and (iii) the phantasmatic level, where the brand is perceived as the actual and proper object of consumption and phantasmatic satisfaction. In the final part of the paper – with the help of the propositions he develops – the author tries to answer the question of how do brands, as sign objects of consumption, shape our identity and our way of life.

Keywords:branding, logic of fetishism, sign object of consumption, consumer identity, cultural capitalism

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