Izkustvo digitalnih medijev, nevromedialnost in nevromorfne tehnologije

Pompe Berlot, Uršula (author)

Sodobna digitalizacija vsakdana sproža vidne spremembe v doživljanju ali ustvarjanju umetniških podob, ki nastajajo pod vplivom nove medijske ekologije. Osvetlitev interakcije z digitalnimi mediji na področju teorije medijev, nevroznanosti, eksperimentalne estetike in kognitivne znanosti razkriva nevrološke osnove doživljanja digitalnih vsebin, ki temeljijo na posredništvu ekrana in drugih interaktivnih vmesnikov. Razprava raziskuje zaznavne razlike v interakciji z različnimi vrstami digitalnih vmesnikov, opredeli postdigitalne pristope v teoriji medijev in nevroznanstveno metodo eksperimentalne estetike v preučevanju percepcijske odzivnosti na analogno in digitalno posredovano umetniško delo. Izpostavi pomen nevromedialnosti v razumevanju procesov stapljanja in povratnega učinkovanja nevronskih in medijskih procesov ter razmišlja o funkciji podobnosti med biološkim (možgani) in tehnološkim, ki usmerja razvoj nevromorfnih tehnologij, na katerih sloni umetna inteligenca.

• Language: Slovenian
• Keywords: digitalni mediji, nevromorfna tehnologija, nevromedialnost, nevroznanost, medijska ekologija
• Work type: Other
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: ALUO - Academy of Fine Arts and Design
• Publication status: Published
• Publication version: Version of Record
• Publisher: Založba Univerze
• Year: 2024
• Number of pages: Str. 152-166
• PID: 20.500.12556/RUL-155710
• UDC: 7.01
• DOI: 10.51938/9789612972868
• COBISS.SI-ID: 190903555
• Publication date in RUL: 12.04.2024

Record is a part of a monograph

• Title: Vizualna pismenost : teoretsko raziskovanje, razumevanje, ustvarjanje in interpretacija sodobnosti
• Editors: Petra Černe Oven, Barbara Predan
• Place of publishing: Ljubljana
• Publisher: Založba Univerze
• Year: 2024
• ISBN: 978-961-297-286-8
• COBISS.SI-ID: 189062915

Licences

• License: CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
• Link: http://creativecommons.org/licenses/by-sa/4.0/
• Description: This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

• Language: English
• Title: The experience of digital media, neuromediality and neuromorphic technologies

Abstract

The modern digitalisation of everyday life is visibly changing how artistic images produced under the influence of the new media ecology are being experienced and created. Shining a spotlight on interaction with digital media in the fields of media theory, neuroscience, experimental aesthetics and cognitive science reveals the neurological basis of how digital content mediated by screens and other interactive interfaces is experienced. This work explores the perceptual differences in interaction with different types of digital interfaces, and defines post-digital approaches in media theory and the neuroscientific method of experimental aesthetics in the study of perceptual responsiveness to analogue and digitally mediated artworks. It highlights the importance of neuromediality in understanding the fusion of and feedback between neural and media processes and speculates on the functional significance of the similarity between the biological (the brain) and the technological that guides the development of neuromorphic technologies that are the foundation of artificial intelligence.

• Keywords: digital media, neuromorphic technology, neuromediality, neuroscience, media ecology

Projects

• Funder: ARIS - Slovenian Research and Innovation Agency
• Funding programme: Vizualna pismenost na Univerzi v Ljubljani, Akademiji za likovno umetnost in oblikovanjelikovno oblikovanje
• Project number: P5-0452