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Digitalno komuniciranje : Slovenske narodnozabavne zasedbe na družbenih omrežjih
ID Stanković, Peter (Author)

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Abstract
Družbena omrežja so pomemben nov komunikacijski medij in hkrati tudi pripravna platforma za promocijske dejavnosti. Da bi ugotovili, kako jih uporabljajo sodobni slovenski narodnozabavni glasbeniki, smo izpeljali tekstualno analizo dejavnosti šestih najbolj priljubljenih slovenskih narodnozabavnih zasedb. Rezultati kažejo, da so na družbenih omrežjih prisotne vse analizirane zasedbe, vendar na različne načine: skupine, ki se približujejo konvencijam pop glasbe, so zelo aktivne in spretne, medtem ko so tiste, ki ostajajo bližje konvencijam klasične narodnozabavne glasbe, na družbenih omrežjih zadržane. Kljub vsem razlikam pa analizirane zasedbe na družbenih omrežjih povezujeta dva izstopajoča vsebinska poudarka: ljudskost in zabava. Zdi se torej, da so sodobne narodnozabavne zasedbe kljub morebitnemu približevanju mainstreamovskemu popu še vedno močno zavezane eni od osrednjih tradicionalističnih vrednot, skupnosti, le da je zdaj očitno pomembno, da se ta skupnost zabava.

Language:Slovenian
Keywords:narodnozabavna glasba, družbena omrežja, tradicija, skupnost, zabava
Work type:Article
Typology:1.08 - Published Scientific Conference Contribution
Organization:FF - Faculty of Arts
Publication status:Published
Publication version:Version of Record
Year:2023
Number of pages:Str. 75-82
PID:20.500.12556/RUL-152179 This link opens in a new window
UDC:784.4(497.4):316.472.4
DOI:10.4312/SSJLK.59.75-82 This link opens in a new window
COBISS.SI-ID:156786179 This link opens in a new window
Copyright:
Licenca navedena na pristajalni strani zbornika.
Publication date in RUL:09.11.2023
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Downloads:56
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Record is a part of a monograph

Title:59. seminar slovenskega jezika, literature in kulture : Slovenski jezik, literatura, kultura in digitalni svet(ovi)
Editors:Jerica Vogel
Place of publishing:V Ljubljani
Publisher:Založba Univerze
Year:2023
ISBN:978-961-297-129-8
COBISS.SI-ID:154766339 This link opens in a new window
Collection title:ǂZbirka ǂSeminar slovenskega jezika, literature in kulture
Collection ISSN:2386-0561

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:English
Abstract:
Social networks are an important new communication medium and a handy platform for promotional activities. To determine how they are used by contemporary Slovenian folk-pop musicians, this article carries out a text analysis of such activities by the six most popular Slovenian folk-pop bands. The results show that all the bands analyzed are present on social networks, but in different ways: the bands closer to the conventions of pop music are very active and skilled, whereas those that remain closer to the conventions of traditional folk-pop music are more reserved on social networks. Despite all the differences, two main elements come to the fore in the content that all of them post on social networks: folk character and entertainment. Even though they may be drawing closer to mainstream pop, contemporary folk-pop bands thus seem to remain strongly committed to a central traditionalist value: the community—only that now it seems to be important that this community have fun.

Keywords:folk-pop music, social networks, tradition, community, entertainment

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