MA thesis titled The concept of the past in the phenomenon of contemporary art, explores the ways in which past artistic styles have been used both in history and in contemporary times. Contemporary art, as a dynamic field, constantly engages with and respond to various historical influences. Artist often reference and explore the past as a means of understanding the present and reshaping our understanding of history. Artists may adopt visual elements, motifs, or materials from specific historical periods to create a dialogue between the past and the present. The chosen topic of the thesis challenges conventional notion of progress and originality, emphasizing the continuity and interconnectedness of artistic traditions. A significant aspect of past artistic styles or periods is the reinterpretation and dismantling of historical barriers, employing strategies ranging from appropriation and revisionism to deconstruction, ultimately offering alternative perspectives. The use of technology has also significantly impacted the concept of the past in art in contemporary practice. Not only trough the abundance of sources but also trough digital media, which opens a wide range of information. Trough the use of historical references, reinterpretations, and the integration of technology, they offer new perspectives on the past and its relevance to contemporary society. The reception and interpretation of historical art are shaped by societal factors and the individual experiences of viewer. Understanding the concept of historical art in the phenomena of contemporary art provides insights into the dynamic relationship between history, artistic expression, and the continuous development of human creativity.
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