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Lutkovno gledališče Matije Solce; ustvarjanje začasne skupnosti med igralci in gledalci
ID Polajnar, Saša (Author), ID Toporišič, Tomaž (Mentor) More about this mentor... This link opens in a new window

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Abstract
Gledališče je svojevrstna umetnost. Prav je, da se že otroci spoznajo z njim, saj človeka umetnost bogati. Zanimalo nas je, ali obiskovanje gledališča pripomore k boljšemu učnemu uspehu v šoli ali ne; pri tem smo se opirali na Bourdieujevo tezo o kulturnem kapitalu. Ta je omogočila razlago doseganja neenakih šolskih dosežkov otrok v šoli, saj so izobraževalni dosežki povezani s količino kulturnega kapitala, ta pa ni enakomerno razdeljen po razredni strukturi. Obiskovanje gledališča kulturni kapital povečuje, zato je obisk predstave Močeradek gre čez cesto odlična izbira za eno izmed prvih srečanj otroka z gledališčem. To je lutkovna predstava, ki je drugačna, posebna. Med gledalci in igralci se vzpostavi začasna skupnost; priča smo performativnemu obratu, ki pravzaprav izhaja iz estetike performativnega. Erika Fischer Lichte, ki je pojem razvila, je performans na odru označila kot dogodek, čemur smo priča tudi v ljubljanskem lutkovnem gledališču pri predstavi Močeradek gre čez cesto.

Language:Slovenian
Keywords:lutkovna predstava, začasna skupnost, estetika performativnega, Erika Fischer Lichte, kulturni kapital, Bourdieu
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2023
PID:20.500.12556/RUL-150851 This link opens in a new window
COBISS.SI-ID:71468386 This link opens in a new window
Publication date in RUL:25.09.2023
Views:177
Downloads:14
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Secondary language

Language:English
Title:Puppet theatre Matije Solce; creating temporary community between performers and audience
Abstract:
Theatre is an art of its own kind. It is accurate for children to get familiarized with the theatre as art is enhancing man. The tesk of the diploma is to discover if visiting the theatre encourages distinction at learning achievements at school; in doing so we based our research on Bourdieu’s theory of cultural capital. This has enabled the interpretation of unequal learning achievements of children at school since educational achievements are associated with the amount of capital which is not evenly distributed among class structure. Each visit of the theatre increases cultural capital, therefore the visit of play “Močeradek gre čez cesto” is an excellent choice for one of the first child encounters with the theatre. “Močeradek gre čez cesto” is a different, distinctive show that enables a temporary community to be established between audience and performers. We are witnessing a performative turn described from the point of view of the performative aesthetics by Erika Fischer Lichte as a concept, marking the stage performance as an event, which we also witness at “Močeradek gre čez cesto” show hosted at the Ljubljana Puppet Theatre.

Keywords:puppet show, temporary community, performance, Erika Fischer Lichte, cultural capital, Bourdieu

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