The master's thesis examines the influence of the Eurovision Song Contest on the creation of queer allegorical European (dis)unity. It focuses on studying the culture of supporters and enthusiasts that has developed around Eurovision, aiming to explain why the competition has become so queer-friendly. One of the key themes is camp culture. Camp is an aesthetic approach that is self-aware of its artistry and artful craft, characterized by irony, exaggeration, and extravagance. Camp culture has always been a defining aspect of Eurovision, as performances in the event are often exaggerated and shocking. The camp culture has also attracted the queer community, which saw the event as a platform for expressing their identities. Due to its eccentricity and embrace of diversity, Eurovision has become a platform for the expression of queer culture. Many queer performances have been highly successful, attracting numerous queer enthusiasts. Eurovision promotes cultural exchange and the acceptance of differences, contributing to an allegorical European unity. Alongside the exploration of these themes, the master's thesis seeks to explain why Eurovision has become so queer-focused, particularly gay-focused, and how it has influenced the creation of queer allegorical European (dis)unity.
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