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Mapiranje notranjih prostorov / Mapiranje notranjih prostorov
ID Marov, Katarina (Author), ID Berlot Pompe, Uršula (Mentor) More about this mentor... This link opens in a new window, ID Stančič, Zora (Mentor) More about this mentor... This link opens in a new window

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Abstract
Cilj naloge je raziskava imaginarnega polja znotraj posameznika in notranje mapiranje senzacij, postavljeno v likovni kontekst. V teoretičnem delu magistrske naloge se nanašam na svoja dela in jih hkrati razčlenjujem skozi različne vidike: psihološkega, filozofskega, umetnostnozgodovinskega ipd. Različne teme in umetniški koncepti se med seboj povezujejo in nadgrajujejo skozi plastenje. Vsebinsko gre za atmosferične prizore imaginarnih prostorov in različne zasnove znotraj posameznega cikla, ki sem jih raziskovala v zadnjih dveh letih. Do materiala za matrico pristopam skoraj skulpturalno, končna podoba in odtis pa sta subtilna in transparentna. Z eksperimentalno grafiko odpiram vprašanja o današnjem razumevanju tradicionalne grafike s poudarkom na tehnikah globokega tiska. Zanima me, kako se mentalne podobe preoblikujejo in kako umetniška forma aktivira gledalca/obiskovalca v razstavnem prostoru. Skozi celoten proces priprave magistrske naloge razmišljam in ustvarjam nove podobe, ki jih bom uporabila kot osnovo za novo prostorsko postavitev.

Language:Slovenian
Keywords:slikarstvo grafika abstraktna umetnost imaginarni prostor percepcija spomin plasti magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2023
PID:20.500.12556/RUL-150486 This link opens in a new window
Publication date in RUL:19.09.2023
Views:301
Downloads:65
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Secondary language

Language:English
Title:Mapping the inner space / Mapping the inner space
Abstract:
The goal of the assignment is the research of the imaginary field within the individual and the internal mapping of sensations, placed in an artistic context. In the theoretical part of the master's thesis, I refer to my works and at the same time analyze them from different aspects: psychological, philosophical, art-historical, etc. Different concepts are connected and upgraded through layering. In terms of content, it is about atmospheric scenes of imaginary spaces and different concepts within each cycle, which I have researched in the last two years. I approach the material for the matrix almost sculpturally, and the final image and print are subtle and transparent. With experimental graphics, I open questions about today's understanding of traditional graphics with an emphasis on gravure printing techniques. I am interested in how mental images are transformed and how the art form activates the viewer/visitor in the exhibition space. Throughout the entire process of preparing my master's thesis, I am thinking and creating new images that I will use as the basis for a new spatial arrangement.

Keywords:painting printmaking abstract art imaginary space perception memory layers MA thesis

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