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Prostor kot izrazno sredstvo kritične refleksije kapitalističnega sistema v drami Naše skladišče Tjaše Mislej
ID Polc, Jerca (Author), ID Žunkovič, Igor (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomska naloga se ukvarja s prostorom v sodobni slovenski drami avtorice Tjaše Mislej: Naše skladišče iz leta 2020. Izhajam iz teoretičnega ozadja postdramskega gledališča po Hansu-Thiesu Lehmannu in opredelitve prostora po Gay McAuley, Anne Ubersfeld in Meti Hočevar, ki jo navezujem na obravnavano dramo. Namen dela je ugotoviti, kako prostor, kakor je predstavljen v drami, komentira oziroma reflektira kapitalistični sistem kot glavnega »krivca« za neugoden položaj glavnih likov (štirih žensk različnih starosti in karakterjev). Opredelitev kapitalizma v nalogi izhaja iz Zygmunta Baumana (Tekoča moderna) ter Noama Chomskega in Marva Waterstona (Consequences of Capitalism). Glavni poudarki so namenjeni besedilnim prostorskim referencam v drami, osrednjemu položaju prostora in načinu, kako s svojo vseobsegajočo prisotnostjo nad osrednjimi liki prikazuje neizprosnost sistema, v katerega so ujeti izkoriščani in podplačani delavci.

Language:Slovenian
Keywords:slovenska dramatika, postdramsko gledališče, Tjaša Mislej: Naše skladišče, dramski prostor, kapitalizem, potrošništvo
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2023
PID:20.500.12556/RUL-150209 This link opens in a new window
COBISS.SI-ID:164561411 This link opens in a new window
Publication date in RUL:15.09.2023
Views:487
Downloads:170
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Secondary language

Language:English
Title:Space as a form of expression critically evaluating the capitalist system in the play Our Warehouse by Tjaša Mislej
Abstract:
The thesis deals with theatrical space in the contemporary Slovenian drama Our Warehouse by Tjaša Mislej, from 2020. I lean on the theoretical background of postdramatic theatre according to Hans-Thies Lehmann and the definition of space according to Gay McAuley, Anne Ubersfeld and Meta Hočevar, which I apply to the drama in question. The purpose of the thesis is to determine how the theatrical space, as presented in the drama, comments or reflects the capitalist system as the main culprit for the unfavorable position of the main characters (four women of different ages and personalities). The definition of capitalism in the thesis is derived from Zygmunt Bauman (Liquid Modernity) and Noam Chomsky with Marv Waterstone (Consequences of Capitalism). The main emphasis is on the spatial references in the text, the centrality of space and the way it shows the inexorability of the system in which exploited and underpaid workers are trapped by its all-encompassing presence.

Keywords:Slovenian drama, postdramatic theatre, Tjaša Mislej: Our Warehouse, theatrical space, capitalism, consumerism

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