Estetska reintegracija vrzeli slik s pastoznimi nanosi

Urbiha, Ana (author), Močnik Ramovš, Lucija (mentor)

V diplomskem delu Estetska reintegracija vrzeli slik s pastoznimi nanosi se ukvarjam s problematiko zapolnjevanja vrzeli na slikah, katerih barvna plast ima zaradi pastoznega načina nanosa slikovnih plasti izrazito teksturo. Zlasti me zanimajo dela, kjer informacija o originalnem izgledu teksture na območjih izgube slikovnih plasti ni ohranjena. Teme se lotevam prek konkretnega primera na sliki Poletno prisluškovanje Vide Fakin iz leta 1964. V prvem, teoretičnem delu diplomskega dela raziskujem etični vidik poustvarjanja površinske teksture v sorodnih primerih in praktičen pristop k podobnim primerom. Zanimalo me je, kolikšno mero utemeljenega domnevanja si lahko konservator-restavrator privošči, ko gre za povezovanje izgubljenih delov z estetsko celoto umetniškega dela. V drugem, praktičnem delu naloge sem testirala različne kombinacije veziv in polnil za kite, da bi ugotovila, katera mešanica podaja lastnosti, optimalne za moj konkretni primer, ter svoje ugotovitve tako iz teoretičnega kot praktičnega dela aplicirala na konservatorsko- restavratorski poseg na sliki Poletno prisluškovanje. Sliko sem najprej očistila in utrdila slikovne plasti, nato pa, ker sem presodila, da je sliki mogoče etično neoporečno povrniti estetsko celovitost, vrzeli ponovno povezala s celoto s predhodno izbrano tehniko in metodo.

• Language: Slovenian
• Keywords: konservatorstvo-restavratorstvo, mešana slikarska tehnika, pastozni nanosi, zapolnitev vrzeli, estetska reintegracija, diplomska naloga
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2023
• PID: 20.500.12556/RUL-149936
• Publication date in RUL: 12.09.2023

Secondary language

• Language: English
• Title: Aesthetic reintegration of missing parts of impasto paintings

Abstract

The diploma thesis Aesthetic reintegration of missing parts in impasto paintings focuses on the problem of filling the gaps of impasto paintings, where the information about the original surface texture has been lost. It deals with the question through the painting Poletno prisluškovanje, created by Vida Fakin in 1964. In the first, theoretical section of the thesis I`m researching the ethics of recreating the surface texture and the practical approach to doing so. I was interested in the amount of educated guessing one can afford when reintegrating a lost part of paint layers back into the painting. In the second, practical section I focused on testing different combinations of binders and fillers to determine which infiller offers a set of qualities, optimal for this specific case, and applied my findings to the restoration of the painting Poletno prisluškovanje. First I cleaned the painting and consolidated the paint layers and then, after considering the ethics of aesthetic reintegration, I decided to infill and retouch the missing parts.

• Keywords: conservation-restoration, mixed medium painting, impasto painting technique, filling of gaps, aestethic reintegration, BA thesis