The archive of the Slovenian Association of Fine Arts Societies in the 1950s and early 1960s and the desire for an art market : historical, technological and user contexts

Grafenauer, Petja (author), Ivanović, Nataša (author), Barut, Urška (author)

The article presents the art market orientation of the Slovenian Association of Fine Arts Societies (ZDSLU) between 1934 and 1959, when the organization sought to establish the art market as the mem-bers came to know in the West. The greatest success of the association was the establishment of the Mala galerija, in which many members exhibited, and where the society directly cooperated with the acquisi-tions. The very extensive archive, which is kept today in the Archives of Slovenia, convey the diverse ideas of the not so homogeneous associa-tion of fine artists.

• Language: English
• Keywords: DSLU, art market, art history, art politics
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: ALUO - Academy of Fine Arts and Design; FF - Faculty of Arts; AGRFT - Academy of Theatre, Radio, Film and Television
• Year: 2023
• Number of pages: Str. 139-149
• PID: 20.500.12556/RUL-148442-852a0bfc-4963-2d22-7b84-774caba49adf
• UDC: 7.01
• COBISS.SI-ID: 147540995
• Publication date in RUL: 23.08.2023

Record is a part of a monograph

• Title: Art between practice and theory : theoretical reflections on artistic reality on the threshold of the third millennium
• Editors: Jožef Muhovič
• Place of publishing: Ljubljana
• Publisher: University of Ljubljana Press
• Year: 2023
• ISBN: 978-961-297-084-0
• COBISS.SI-ID: 143807491

Licences

• License: CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
• Link: http://creativecommons.org/licenses/by-sa/4.0/
• Description: This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

• Language: Slovenian
• Keywords: DSLU, umetnostni trg, umetnostna zgodovina, politika umetnosti