The creative use of dialect is present at all times - only fashion, through which it comes to a wider public, changes. Fashion also defines whether - over time and across space - it engages only "popular" and amateur creators or also attracts established ones. This article presents an example of the creative work of an amateur playwright and discusses the purpose of her plays, and the places and opportunities for staging them - methodologically as a case study. With the help of a survey, we establish how well these plays have been received by audiences.
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