Kognitivni pristop k oblikovanju odrskega govora : (Ivo Prijatelj: Totenbirt)

Vrtačnik, Martin (author)

Prispevek ponuja smernice za oblikovanje (pogovornega) jezika v sodobnem dramskem gledališču. Na podlagi slušnega vtisa odrskega govora v uprizoritvi Totenbirt Iva Prijatelja odgovarja na vprašanje, kako z vidika sodobne jezikovne zavesti oblikovati odrski govor ter pri tem zadostiti gledališki estetiki in vzbuditi gledalčev užitek. Predlagan je interdisciplinarni pristop, temelječ na spoznanjih kognitivnega jezikoslovja in vlogi (uprizoritvenega) dramaturga.

• Language: Slovenian
• Keywords: slovenska književnost, slovenska dramatika, odrski govor, pogovorni jezik, dramsko gledališče, kognitivno jezikoslovje, dramaturg, uprizoritveni dramaturg
• Work type: Article
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: FF - Faculty of Arts
• Year: 2014
• Number of pages: Str. 537-544
• PID: 20.500.12556/RUL-147565
• UDC: 792.027:808.55:81'276
• COBISS.SI-ID: 56801378
• Publication date in RUL: 07.07.2023

Record is a part of a monograph

• Title: Recepcija slovenske književnosti
• Editors: Alenka Žbogar
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2014
• ISBN: 978-961-237-707-6
• COBISS.SI-ID: 276084736
• Collection title: Obdobja
• Collection numbering: 33
• Collection ISSN: 1408-211X

Secondary language

• Language: English

Abstract

This paper offers guidelines for the shaping of the (spoken) language in contemporary dramatic theatre. Based on the auditory imprint from the performance of Ivo Prijatelj's Totenbirt, it answers the question of how to create stage speech from the perspective of contemporary linguistic awareness, and how to satisfy linguistic aesthetics, as well as invoke the viewer's enjoyment. The paper promotes an interdisciplinary approach, formulated upon the findings of cognitive linguistics and the role of the (performative) dramaturge.

• Keywords: Slovene literature, Slovene drama, stage speech, spoken language, dramatic theatre, cognitive linguistics, dramaturgue, performative dramaturgue