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Japonska poezija haikuja skozi slovensko književnost
ID Intihar, Zala (Author), ID Balžalorsky Antić, Varja (Mentor) More about this mentor... This link opens in a new window

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Abstract
Haiku je kratka japonska pesniška oblika, ki jo je v 17. stoletju utrdil pesnik Macuo Bašo. Praviloma je pesem trivrstična in vsebuje sedemnajst zlogov, ki so razporejeni po načelu 5 – 7 – 5. V treh kratkih stihih je zgoščen trenutek, največkrat iz narave, ki se povezuje z dogajanjem v človekovi notranjosti. Magistrska naloga se začne s strnjenim pregledom zgodovinskega razvoja in okoliščin, ki so vplivale nastanek japonske države. Ob tem je v pregled sočasno vključen tudi razvoj japonske lirike, saj je ta ključen za razumevanje in kasnejšo umestitev haiku poezije. Jedro naloge predstavlja popis haiku poezije in se osredotoča na njen izvor, razvoj, jezik, filozofsko doktrino ter njen vpliv na svetovne literarne tokove. V nadaljevanju se fokus dela usmeri k fenomenu haikuja v slovenskem književnem prostoru, natančneje k poeziji. Skozi predstavitev najbolj prepoznavnih slovenskih »haiku avtorjev« skuša naloga prikazati razcvet in vpliv dotične japonske pesniške oblike. Zadnji del naloge pa se podrobneje posveča izpostavljenim podobnostim oz. razlikam med »japonskim« in »slovenskim« haikujem in njegovi umeščenosti v slovensko književnost.

Language:Slovenian
Keywords:japonska poezija, haiku, zen budizem, filozofija narave, literarni vplivi, slovenska poezija.
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2022
PID:20.500.12556/RUL-141725 This link opens in a new window
COBISS.SI-ID:124509955 This link opens in a new window
Publication date in RUL:06.10.2022
Views:1284
Downloads:155
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Secondary language

Language:English
Title:Japanese Haiku Poetry Through Slovene Literature
Abstract:
Haiku is a short Japanese poetic form, established in the 17th century by the poet Matsuo Başo. Traditional Japanese haiku consists of three phrases and contains seventeen syllables, arranged on the principle of 5 – 7 – 5. The master's thesis begins with an overview of the historical development and circumstances that influenced the formation of the Japanese state. At the same time, the development of Japanese lyric is included in the review and it is crucial for the understanding and later placement of haiku poetry. In the continuation the thesis presents an inventory of haiku poetry in Japan. It focuses on its origins, formation and development, language, philosophical doctrine and its impact on the world literary trends. The core of the thesis is the phenomenon of haiku in the Slovenian literary space. Through the presentation of the most recognizable Slovenian "haiku authors", the master's thesis tries to show the flourishing and influence of the Japanese haiku form. The last part of the master's thesis is devoted to the highlighted similarities or differences between “Japanese” and “Slovenian” haiku and its place in the Slovene literature.

Keywords:Japanese poetry, haiku, zen buddhism, philosophy of nature, literary influences, Slovene poetry.

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