When an image is represented by a medium, the content is marked as a portrait, even if the final work bears no resemblance to the original subject. The main product of a portrait is the gaze of the sitter, in which we see life and their presence, and onto which we project our own meaning. The context of a portrait changes with nudity, which gives the work a new quality. The female image is fluid. We can experience it as a source of inspiration that leads us on new paths of exploration; it can be the core of a fetish, or living, changing matter in our consciousness. The subject of these paths of exploration are the possible outcomes of these ideas and variations. What does a figure want to tell us with its gaze? How do we observe it? How does it mark us? And most importantly, how do we answer these questions in the process of creating? Why FEM-IN-FLUX? Because the image of woman is constantly changing, both in our consciousness and in society. The goal is to explore the glimpses that we can capture in the flux of the female image.
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