Tekstilno oblikovanje v kontekstu sodobnih scenografskih praks

Litovski, Borjan (author), Jenko, Marija (mentor), Rappl, Rok (co-mentor)

Diplomsko delo temelji na raziskovanju tekstilnega oblikovanja kot sodobne scenografske prakse in ustvarjanju site-specific tekstilnih scenografskih instalacij. V okviru teoretično-raziskovalnega dela so predstavljeni izbrani ključni scenografski primeri iz sodobnega slovenskega gledališkega prostora: nova slovenska opera Koda L skladatelja Milka Lazarja v režiji in scenografiji Rocca, nov slovenski balet Kompozicija skladatelja Draga Ivanuše v koreografiji Sanje Nešković Peršin in scenografiji Mete Grgurevič, Točka. Brez povratka, instalacijsko-performativni projekt Sanje Nešković Peršin v sodelovanju s kostumografom Urošem Belantičem, ter drama Junakinje v režiji in scenografiji Aleksandra Popovskega. Ustvarjalno-praktični del je sestavljen iz opisa in analize kreativnega procesa in realizacije ter vizualne dokumentacije tekstilnih scenografij dveh opernih projektov v režiji slovenskega opernega režiserja Rocca: Deklica z vžigalicami, novonastala komorna opera slovenske skladateljice in libretistke Tine Mauko v produkciji Slovenskega komornega glasbenega gledališča (premiera 23. 6. 2021 v Stari elektrarni v Ljubljani), in Agripina, baročna opera seria skladatelja Georga Friedricha Händla v produkciji Akademije za glasbo Univerze v Ljubljani (premiera 23. 4. 2022 v Linhartovi dvorani Cankarjevega doma v Ljubljani). Oba scenografska projekta sta nastala v sodelovanju s skupino študentov oblikovanja tekstilij in oblačil na Oddelku za tekstilstvo, grafiko in oblikovanje Naravoslovnotehniške fakultete Univerze v Ljubljani.

• Language: Slovenian
• Keywords: scenografija, tekstil, oblikovanje, gledališče, opera, site-specific umetnost
• Work type: Bachelor thesis/paper
• Organization: NTF - Faculty of Natural Sciences and Engineering
• Year: 2022
• PID: 20.500.12556/RUL-139524
• Publication date in RUL: 03.09.2022

Secondary language

• Language: English
• Title: Textile design in the context of contemporary scenographic practices

Abstract

The diploma thesis is based on the research of textile design as a contemporary scenographic practice and on the creation of site-specific textile scenographic installations. In the framework of the theoretical-research part, selected key scenographic examples from the contemporary Slovenian theatre scene are presented: the new Slovenian opera Code L composed by Milko Lazar, directed and designed by Rocc, the new Slovenian ballet Composition composed by Drago Ivanuša with choreography by Sanja Nešković Peršin and scenography by Meta Grgurevič, Point. No Return, an installative-performance project by Sanja Nešković Peršin in collaboration with the costume designer Uroš Belantič, and the theatre piece Heroines directed and designed by Aleksandar Popovski. The creative-practical part consists of the description and analysis of the creative process and realization as well as visual documentation of the textile set designs for the two opera projects directed by Slovenian opera director Rocc: The Little Match Girl, a newly created chamber opera by Slovenian composer and librettist Tina Mauko, produced by the Slovenian Chamber Music Theatre (premiered on June 23, 2021 in the Old Power Station in Ljubljana), and Agrippina, a baroque opera seria composed by George Frideric Handel, produced by the Academy of Music of the University of Ljubljana (premiered on April 23, 2022 in the Linhart Hall of the Cankar Centre in Ljubljana). Both scenographic projects were created in collaboration with a group of textile and fashion design students from the Department of Textiles, Graphic Arts and Design at the Faculty of Natural Sciences and Engineering of the University of Ljubljana.

• Keywords: scenography, textile, design, theatre, opera, site-specific art