Fotografija skozi oči florentinskih slikarjev

Rijavec, Nika (author), Starešinič, Marica (mentor)

Namen diplomske naloge je združiti slikarstvo in fotografijo v skupno celoto. Čas renesančnega slikarskega obdobja se bo povezal z današnjim časom, ko tehnologija vedno hitreje napreduje. Cilj je uporabiti zajete fotografije po poteh florentinskih slikarjev v sami Italiji, natančneje v Toskani, ter jih s programsko opremo urediti do te mere, da bodo čim bolj spominjale na tehnike renesančne umetnosti. V teoretičnem delu sta ločeno predstavljeni obe tehniki – slikarstvo in fotografija. Pri slikarstvu je fokus na renesančni umetnosti, natančneje na florentinsko slikarstvo ali drugače imenovano florentinsko šolo. Predstavljena so tudi dela najbolj znanih slikarjev. Del o fotografiji predstavi razvoj fotografije, vključno z vso mehansko opremo, ki je pripomogla k nastajanju fotografij danes. Proti koncu se bosta obe tehniki povezali, raziskan bo njun skupni jezik in vse skupne lastnosti. V eksperimentalnem delu je najprej predstavljena popotniška pot po mestih Toskane. Pozneje se osredotočimo na fizično opremo, ki je bila uporabljena pri zajemanju fotografij. Predstavi se programska oprema, ki omogoča naprednejšo obdelavo fotografij, ki se uporablja tudi za digitalno slikanje in risanje. Sledi predstavitev postopka obdelave fotografij, ki so pozneje predstavljene v rezultatih in razpravi.

• Language: Slovenian
• Keywords: fotografija, florentinsko slikarstvo, slikarstvo, italijanska renesansa, digitalna obdelava fotografij
• Work type: Bachelor thesis/paper
• Organization: NTF - Faculty of Natural Sciences and Engineering
• Year: 2022
• PID: 20.500.12556/RUL-139431
• Publication date in RUL: 02.09.2022

RIJAVEC, Nika, 2022, Fotografija skozi oči florentinskih slikarjev [online]. Bachelor’s thesis. [Accessed 26 April 2025]. Retrieved from: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=eng&id=139431

Secondary language

• Language: English
• Title: Photography through eyes of Florentine painters

Abstract

The purpose of the diploma thesis is to combine painting and photography into a common whole. The time of the Renaissance painting period will be connected with the present time, where technology is advancing faster and faster. The aim is to use the captured photographs along the paths of Florentine painters in Italy itself, specifically in Tuscany, and to edit them with software to such an extent that they will be as reminiscent as possible of Renaissance art techniques. In the theoretical part, both techniques, painting, and photography, are presented separately. In painting, the focus is on Renaissance art, specifically on Florentine painting or otherwise called the Florentine school. The works of the most famous painters are also presented. The photography section presents the development of photography including all the mechanical equipment that helped create photographs today. Towards the end, the two techniques will come together, where their common language and all common features will be explored. In the experimental part, the travel route through the cities of Tuscany is first presented. Later, we focus on the physical equipment used to capture the photographs. Software is introduced that enables more advanced photo processing, which is also used for digital painting and drawing. The following is a presentation of the process of processing photographs, which are later presented in the results and discussion.

• Keywords: photography, Florentine painting, painting, Italian Renaissance, travel photography, digital photo processing