DVOOBRAZNA REALNOST Pojma fantastičnega in virtualnega v delu Julia Cortázarja in Gillesa Deleuza

Begić, Alena (author), Virk, Tomislav (mentor)

Argentinskega pisatelja Julia Cortázarja in francoskega filozofa Gillesa Deleuza združuje glavna točka: potreba po mišljenju nekega skritega reda realnosti, ki bi se nahajal onstran ali tostran vsega, kar smo sprejeli kot stabilno celoto realnega. Cortázar preizprašuje splošno sprejet koncept realnosti skozi obliko fantastičnega v literaturi; Deleuze se obrača k filozofiji in konceptualizira metafiziko aktualnega/virtualnega. V kolikšni meri lahko povežemo miselne in ustvarjalne poti obeh avtorjev ter kako lahko apliciramo Deleuzov koncept časovnosti na Cortázarjevo razumevanje kratke zgodbe? Ali se nam razkrivajo podobni miselni zametki med Cortázarjem in Deleuzom v Cortázarjevi kratki zgodbi »Möbiusov trak«? Kako razumeti etični problem te zgodbe skozi prizmo metafizike?

• Language: Slovenian
• Keywords: literatura in filozofija, Julio Cortázar, Gilles Deleuze, kratka zgodba, fantastično, virtualno
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2021
• PID: 20.500.12556/RUL-132911
• COBISS.SI-ID: 79984643
• Publication date in RUL: 05.11.2021

BEGIĆ, Alena, 2021, DVOOBRAZNA REALNOST Pojma fantastičnega in virtualnega v delu Julia Cortázarja in Gillesa Deleuza [online]. Bachelor’s thesis. [Accessed 19 May 2025]. Retrieved from: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=eng&id=132911

Secondary language

• Language: English
• Title: A Two-Faced Reality: The Concepts of the Fantastic and the Virtual in the Work of Julio Cortázar and Gilles Deleuze

Abstract

The Argentinian writer Julio Cortázar and the French philosopher Gilles Deleuze have one thing in common: the need to think of a hidden order of reality that would be located beyond everything that we have accepted as a stable whole of the real. Cortázar examines the widely accepted concept of reality through a form of fantastic in literature; Deleuze is turning to philosophy and conceptualizes the metaphysics of actual/virtual. To what extent can we link the intelectual and creative paths of the two authors, and how can we apply Deleuze's concept of temporality to Cortázar's understanding of the short story? Are similar thought processes between Cortázar and Deleuze being revealed to us in Cortázar's short story »The Möbius Strip«? How can we understand the ethical problems of this story through the prism of metaphysics?

• Keywords: literature and philosophy, Julio Cortázar, Gilles Deleuze, short story, fantastic, virtual