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Kralj na Betajnovi in Stebri družbe: psihološki ustroj dramskih oseb kot osnova za razhajanje med Cankarjevimi in Ibsenovimi idejami
ID Oražem, Nina (Author), ID Troha, Gašper (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo obravnava like iz Cankarjeve in Ibsenove dramatike, pri tem pa se konkretneje osredotoči na dva protagonista – vaškega mogotca Kantorja iz Cankarjeve drame Kralj na Betajnovi in konzula Bernicka iz Ibsenovih Stebrov družbe. V nalogi opisujemo Cankarjevo poznavanja Ibsena ter njegovih del, nato pa s pomočjo metode Velikih pet faktorjev osebnosti podamo natačno analizo dramskih likov in iz nje izpeljemo ter analiziramo konflikt dramskih oseb. Pri tem ugotavljamo, da kljub Ibsenovemu vplivu na Cankarja njuni drami, Kralj na Betajnovi in Stebri družbe, v temeljih in idejah nista skladni.

Language:Slovenian
Keywords:slovenska dramatika, norveška dramatika, Ivan Cankar: Kralj na Betajnovi, Henrik Ibsen: Stebri družbe, dramski liki
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2021
PID:20.500.12556/RUL-132876 This link opens in a new window
COBISS.SI-ID:83145475 This link opens in a new window
Publication date in RUL:05.11.2021
Views:1865
Downloads:183
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Secondary language

Language:English
Title:The King of Betajnova and The Pillars of Society: The Psychological Structure of Dramatic characters as a Basis for the Divergence between Cankar's and Ibsens's Ideas
Abstract:
The bachelor's thesis discusses characters from Cankar’s and Ibsen’s plays. In doing so it focuses on two protagonists – the village mogul Kantor from Cankar’s play Kralj na Betajnovi (The King of Betajnova) and Consul Bernick from Ibsen’s Pillars of Society. The thesis describes Cankar’s knowledge of Ibsen and his work, then with the method called Big Five personality traits (also ‘Big Five’) gives thorough analysis of dramatic characters and analyses the conflict between them. We observed that despite Ibsen’s influence on Cankar, The King of Betajnova and The Pillars of Society are not consistent in their essential ideas.

Keywords:Slovenian drama, Norwegian drama, Ivan Cankar: The King of Betajnova, Henrik Ibsen: The Pillars of Society, dramatic characters

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