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Pomen iluzije v optični umetnosti
ID Grčar, Lea (Author), ID Brumen Čop, Andrej (Mentor) More about this mentor... This link opens in a new window, ID Podobnik, Uršula (Comentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/6942/ This link opens in a new window

Abstract
Magistrsko delo zajemajo trije sklopi, teoretični, avtorski in pedagoški. Osrednja tema, ki me vodi skozi delo, je optična umetnost, to je umetniška smer, ki izhaja iz geometrijske abstrakcije in sestoji iz optičnih iluzij, je načrtovana in kompleksna. V teoriji se poleg optične umetnosti posvetim tudi geometrijski abstrakciji in optičnim iluzijam. V prvem delu teorije predstavim začetke geometrijske abstrakcije s poudarkom na treh slikarjih, Kazimirju Maleviču, Pietu Mondrianu in Maxu Billu. V drugem delu me zanimajo prevare človekove percepcije oziroma optične iluzije. Opišem različne vrste optičnih iluzij od prostorskih, svetlostnih, barvnih, geometrijskih, pa vse do iluzij gibanja ter dejavnike, zaradi katerih običajno nastanejo. S pomočjo razumevanja geometrijske abstrakcije in optičnih iluzij, se v tretjem delu navežem na optično umetnost in njene glavne predstavnike, kot so Victor Vasarely, Bridget Riley in Richard Anuszkiewicz. V avtorskem delu svoje teoretično znanje uporabim v lastnih likovno iluzionističnih delih, kjer sta v centru risbi Črno-belo, nastali na tradicionalen način v tehniki risanja s flomastrom na platno. Zaradi nastalih tehničnih težav pri likovnem ustvarjanju se nato za primerjavo posvetim še delu na računalniškem prosto dostopnem grafičnem programu Gimp, ki omogoča dobro tehnično rešitev za ustvarjanje iluzionističnih del. V primerjavi med tradicionalnim in računalniškim delom spoznam kar nekaj prednosti pri ustvarjanju v programu Gimp, a velikih razlik pri doseganju iluzije, ni opaziti. Na pedagoški ravni skušam izvedeti, ali je v devetem razredu osnovne šole mogoče izvesti učno uro o optični umetnosti, da bi jo učenci razumeli in likovno uspešno izpeljali. Iščem razlike, ki bi se lahko pojavile med uro pri likovni umetnosti v devetem razredu in uro pri likovnem snovanju III. Raziskava temelji na kvalitativnem postopku, v okviru katere izvedem analizo likovnih izdelkov učencev in v sklepnem delu primerjam dosežene cilje med obema skupinama.

Language:Slovenian
Keywords:optična umetnost
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Year:2021
PID:20.500.12556/RUL-131496 This link opens in a new window
COBISS.SI-ID: 78161411 This link opens in a new window
Publication date in RUL:13.10.2021
Views:1630
Downloads:157
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Secondary language

Language:English
Title:Importance of illusion in optical art
Abstract:
My master's thesis consist of three parts, theoretical, authorial and pedagogical. The main theme of my work is Optical Art, an art movement originating from geometric abstraction and consisting of optical illusions. It is planned and complex . The theorethical part of my thesis is, in addition to the Optical art movement, also focused on geometric abstraction and optical illusions. The first part introduces the beginnings of geometric abstraction with an emphasis on three painters, Kazimir Malevich, Piet Mondrian, and Max Bill. The second part explores the deceptions of human perception I.e. optical illusion. Here I describe different types of optical illusions: spatial, luminous, colour, geometric and illusions of movement. I also touch on the factors, due to which the illusions arise. Using an understanding of geometric abstraction and optical illusions, the final segment of the theorethical part relates to Optical Art and its main representatives such as Victor Vasarely, Bridget Riley and Richard Anuszkiewicz. In the authoral part, I create my own visual illusionist work, using my theoretical knowledge. My main work are the drawings called Black & White, created in the traditional technique of hand drawing with a felt-tip pen (marker) on canvas. Due to technical difficulties with the creation of my drawings, I start working with the freely accesible computer graphic program Gimp, which provides a good technical solution for the creation of illusionist art. I compare hand drawings to computer created art. Although working with a computer program does bring some benefits, there are no major differences when it comes to achieving an optical illusion. The pedagogical part explores whether it is possible to carry out a lesson on Optical Art in the ninth grade of primary school, so that the students would understand and succesfully apply new knowledge to their art work. I am looking for the differences that could occur between a class in fine arts (compulsory subject) in the ninth grade and a class in fine arts design III (optional subject). In the qualitative research I make an analysis of students' art works. In conclusion I compare, whether and in what way the two groups achieved their goals.

Keywords:optical art

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