Ples kot nenehno nastajajoči gestalt

Ekar Grlj, Lara (author), Vörös, Sebastjan (mentor)

Gib, gibanje, ples. Diplomska naloga izhaja iz vprašanja, zakaj je človek pogledal svoje roke in z njimi naredil gesto, ki ni bila zgolj praktična. Zakaj je v premiku roke začutil nekaj, kar ni zgolj nehoten ali praktičen premik? Zdi se, da se je ples zgodil kot presežek energije v človeku – fizične in duševne, in premik k zavedanju in občutenju tega presežka je še kako pomemben. V trenutku, ko se zgodi to zavedanje, se gib spremeni in začne nastajati ples. S tem ples hote ali nehote postane vseskozi prisoten pri vseh. Gre za gibanje, ki se sestavlja v strukturirano celoto. Ko plešemo ali gledamo ples, se ta celota tvori, hkrati pa je že v tem trenutku, ko se sestavlja, njegova eksistenca obsojena na propad. Zdi se, da bosta tako pri tej umetnosti besedi nastanek in propad vedno prisotni. Poleg tega se nam ples vedno kaže kot celota – tako plesalcu, ki jo pleše, kot gledalcu, ki jo vidi. Oba jo na koncu občutita, toda občutek se vedno vrne na celoto – gestalt, in to ples pravzaprav je. V diplomski nalogi bomo skušali prikazati, kaj je gestalt in kaj je gestaltteorija. Na podlagi tega bomo raziskovali, kako se manifestirata v plesu. Zanimalo nas bo, kako lahko ples vidimo kot gestalt in kaj se z njim dogaja, ko mu določimo to oznako.

• Language: Slovenian
• Keywords: Gib, ples, umetnost, gestalt, gestaltteorija, fenomenologija, prostor, čas
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2021
• PID: 20.500.12556/RUL-130949
• COBISS.SI-ID: 82535171
• Publication date in RUL: 19.09.2021

Secondary language

• Language: English
• Title: Dance as Form in the Making

Abstract

Move, movement, dance. The diploma thesis is based on the question why man looked on his hands and made a gesture which wasn't needed, why he felt in this handmovement something that was not intentional or a needed movement. The dance seems to have happened just as an excess of the energy – physical and psychical – in the human being. And the shift to the cosciousness and perception is very significant. In the very moment when the consciousness appears, the movement starts becoming the dance. The dance becomes evident intentionally or unintentionally.The movement appears as a structured whole. When dancing or watching the dance, this whole is being created and at the some time its existence is condemned to the decay. Existence and decay seem always to be present in this art. In addition the dance always appears as a whole - to the dancer who dances and to the watcher who watches. Both feel it at the end, but the perception always returns to the whole – the gestalt and that's what the dance actually is. In the diploma thesis we will try to show what gestalt and gestalt theory mean. On its basis it will be further researched how it is manifested in the dance. We will be interested in observing the dance seen as gestalt and what happens to the dance by giving this definition.

• Keywords: Move, dance, art, gestalt, gestalt theory, phenomenology, space, time