Sinteza glazur z bakrom na porcelanu

Lah, Veronika (author), Smole, Jurij (mentor)

Diplomsko delo predstavi razvoj izdelka, ki ga sestavljata porcelanasta osnova in prevleka iz glazure, kombinirane z bakrom. Avtorica dokumentira proces nastajanja izdelka predelne stene ter se poglobi v načine nanašanja bakrenih učinkov na keramiko. Raziskava se začne z zgodovinskim pregledom uporabe bakra in bakrovih spojin kot samostojnega materiala ali barvila za druge materiale. Del raziskave je tudi razmislek o formah dvodimenzionalnih postavitev in oblikovalskih rešitev v keramičnih materialih. Tu je omenjenih tudi nekaj avtorjev, katerih dela so navdihnila razmišljanje avtorice. Praktični del projekta sestavljajo trije obsežnejši deli. Prvi je testiranje glazur in obnašanja bakra, podprt s fotografijami. Sledi mu del o razvoju motiva in kompoziciji dela, v katerem avtorica predstavi svoje razmišljanje ob razvoju motiva skozi skice, ki so tudi kronološko razporejene. Praktični del zaključi razvoj izdelave izdelka. Tu so predstavljeni vsi postopki, potrebni za izdelavo, ter komentar nanje.

• Language: Slovenian
• Keywords: unikatno oblikovanje, baker, keramika, glazure, podglazure, stenska postavitev, oksidi, porcelan, diplomska naloga
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2021
• PID: 20.500.12556/RUL-130884
• Publication date in RUL: 18.09.2021

Secondary language

• Language: English
• Title: Synthesis of glazes with copper on porcelain

Abstract

This paper presents the makings of a piece of work made of porcelain base and a glaze finish with copper details. The author documents this process of making the partition installation and concentrates on research of ways for applying copper effects on ceramic surfaces. The research begins with a historic overview of the use of copper and its compounds for independent use as well as a colourant for other materials. A part of research also consists of consideration of different two-dimensional compositions and design solutions made with ceramic material. In this chapter there are also mentions of different authors whose work inspired authors contemplation on form. The practical part of the project consists of three bigger(respective) parts. First there is the testing of the interaction between glaze and copper, supported by photographs. Followed by the development of this project in regard of motive and composition. Here the thought process of the author is explained through chronologically arranged sketches and minor projects. This practical part is concluded with the chapter dedicated to presenting the development and work process on the project itself.

• Keywords: applied arts, copper, ceramics, glaze, underglaze, wall installation (layout), oxides, porcelain, BA thesis