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Uspešnost učencev od 1. do 5. razreda pri reševanju novih nalog po obravnavi dramskega besedila
ID Močnik, Sara (Author), ID Petek, Tomaž (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/6766/ This link opens in a new window

Abstract
Model šolske interpretacije komunikacijskega pouka književnosti je v zadnjem času pogosto predmet raziskav, ki se večinoma osredotočajo na posamezne faze, izhajajo pa iz vidika učiteljev, ki je najpogosteje povezan s področji poezije ali proze. V magistrskem delu z naslovom Uspešnost učencev od 1. do 5. razreda pri reševanju novih nalog po obravnavi dramskih besedil zato predstavljamo problematiko ustreznosti celostnega modela, ki smo jo ovrednotili na podlagi uspešnosti učencev. Izhajajoč iz temeljne literature, povezane s fazami šolske interpretacije umetnostnega besedila, in iz že opravljenih raziskav smo izdelali celostne učne priprave za obravnavo radijskih iger za učence od 1. do 5. razreda. Ob upoštevanju v teoretičnem delu opisanega razmerja med dramskim besedilom in gledališko uprizoritvijo ter z njima povezane dvojne recepcije dramatike smo v vse učne priprave vključili tudi dramsko-gledališke dejavnosti. Posebno pozornost smo namenili razvijanju ustvarjalnosti v sklepni fazi, v kateri smo načrtovali nove naloge, s poudarkom na pisanju kreativnih tekstov, in jih diferencirali na treh zahtevnostnih ravneh. V empiričnem delu smo (po)ustvarjalna besedila učencev, ki so pri reševanju novih nalog nastala, vrednotili z dveh vidikov: doseganja ciljev iz učnega načrta in prvin ustvarjalnosti. Rezultati so pokazali, da je večina sodelujočih učencev svojo uspešnost pri reševanju novih nalog pokazala z vsaj polovico doseženih točk. Pri tem so učenci drugega triletja močno izstopali in se izkazali za najbolj uspešne, medtem ko so bili učenci 2. razreda najmanj uspešni. Ker smo v učni pripravi za 4. in 5. razred vključili več dramskih dejavnosti, so tudi učenci teh razredov v svoja besedila pogosteje vključili kombinacijo pripovedi in dialoga kot učenci nižjih razredov. Nekaj razlik se je pokazalo tudi med oddelkoma posameznih razredov, ki kažejo na pomembnost učiteljevega pristopa k poučevanju. Ugotovili smo, da je oblikovan model za obravnavo dramskih besedil bolj primeren za učence 2. VIO kot pa za mlajše učence. To še posebej velja za pisne poustvarjalne dejavnosti, ki so ustreznejša izbira za učence, ki so dobro usvojili tako pisanje kot znanje o zgradbi besedil. Na podlagi pridobljenih podatkov smo na koncu oblikovali še smernice za učitelje, s katerimi si lahko pomagajo pri oblikovanju učnih priprav za obravnavo mladinske dramatike. Z ustreznejšim načrtovanjem bodo tudi učenci uspešnejši in ustvarjalnejši pri reševanju novih nalog.

Language:Slovenian
Keywords:mladinska dramatika
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Year:2021
PID:20.500.12556/RUL-128105 This link opens in a new window
COBISS.SI-ID:68543235 This link opens in a new window
Publication date in RUL:17.08.2021
Views:779
Downloads:119
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Secondary language

Language:English
Title:Performance progress of students in grades 1 to 5 in solving new tasks after addressing drama texts
Abstract:
The model of school interpretation in communicative approach in teaching literature has lately been a recurrent subject of research that is focused mainly on individual stages and originates from teachers' point of view most commonly linked to poetry or prose. In this master's thesis entitled Performance Progress of Students in Grades 1 to 5 in Solving New Tasks after Addressing Drama Texts we are presenting the problem of suitability of the whole-model, which we evaluated based on the performance progress of students. Leaning on fundamental writings connected to stages of school interpretation of literary texts, and on published research results we designed integral lesson plans for addressing radio plays for students from grade 1 to grade 5. Considering the relation between drama text and theatrical performance, and the connected duality of drama reception we described in the theoretical section, we also included dramatic and theatrical activities in every lesson plan. We gave special attention towards developing creativity in the final stage, where we planned new literature tasks with emphasis on creative writing texts that we differentiated on three levels of difficulty. In the empirical section we assessed students' creative texts, formed by solving new literature tasks, based on two points of view: achieving objectives from the school curriculum and elements of creativity. The empirical analysis showed that the majority of participants displayed their performance progress in solving new tasks by achieving at least half of all the possible points. Students in the second triad stood out strongly and proved themselves as the most successful, whereas grade 2 students turned out to be the least successful. Since we included more dramatic activities in lesson plans for grade 4 and 5, these students integrated the combination of narration and dialogue more frequently than younger students. A few differences also appeared between two groups within the same grade showing the importance of teacher's teaching approach. We found out that the designed model for addessing drama texts is more suitable for second educational period students than for younger ones. This especially applies to creative writing tasks that are suitable for students who acquired good writing skills and knowledge about the text structure. Based on obtained information we developed guidelines for teachers to help them design lesson plans to study youth drama, in the hope that with improved lesson planning we gain students' better performance progress and greater creativity in solving new literature tasks.

Keywords:youth drama

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