Vizualna raziskava Štajerske varde

Anderlič, Žiga (author), Fras, Domen (mentor)

V diplomski nalogi sem se ukvarjal z vizualno raziskavo Štajerske varde, kjer sem se osredotočal na ožji vpogled v njihovo delovanje, pojavnost, okoliščine, zgodovino, posledice, način komuniciranja in družbeno/politični vpliv, ki ga imajo na Slovence. Zaradi njihovega nerazumevanja osnovnih principov vizualnega komuniciranja in nerealnih ciljev, ki se jih poslužujejo, me je zanimalo, skozi katero oblikovalsko disciplino je takšno družbeno temo možno prevpraševati. Rezultat naloge je vizualna rešitev v obliki publikacije, kjer sem podrobneje raziskal pravila Štajerske varde, idej in načina delovanja, vendar s kritično distanco do njihove dejavnosti, saj takega upiranja sistemu ne podpiram. Z dobesedno reinterpretacijo njihove vsebine sem vardo predstavil na humoren način in hkrati opozoril na grožnjo, ki bi jo takšna organizacija lahko predstavljala.

• Language: Slovenian
• Keywords: vizualne komunikacije, grafično oblikovanje, fotografija, Zedinjena Slovenska varda, publikacija, diplomska naloga
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2021
• PID: 20.500.12556/RUL-127801
• Publication date in RUL: 23.06.2021

Secondary language

• Language: English
• Title: Visual research of Štajerska varda

Abstract

In my diploma thesis I dealt with the visual research of the Štajerska varda, where I focused on a closer insight into their work, appearance, environment, history, consequences, way of communication and socio/political influence they have on Slovenes. Because of their lack of understanding of the basic principles of visual communication and the unrealistic goals they serve, I was interested in which design discipline such a social theme can be questioned through. The result of the task is a visual solution in the form of publication, which describes the rules of the Štajerska varda in more detail, the idea and mode of operation, but with a critical distance from their activities, as I do not support the resistance of the system in this way. By literally reinterpreting their content, I presented Štajerska varda in a humorous way and at the same time drew attention to the threat that such an organisation could pose.

• Keywords: visual communication, graphic design, photography, Zedinjena Slovenska varda, publication, BA thesis