Podoba je meso postala: zajedavstvo in sožitje likovnega performativa in konstativa

Skrbinšek, Vid (author), Pezdirc Bartol, Mateja (mentor), Matajc, Vanesa (mentor)

Umetnost s konstativnimi izjavami proizvaja dogovorjeno razmerje med označevalcem in označencem, in obratno, s performativnimi izjavljanji proizvaja povsem na novo opredeljeno razmerje med označevalcem in označencem. V magistrskem delu preučujemo razmerje med konstativnim in performativnim umetniškim izjavljanjem. Izhajamo iz teorije jezikovne performativnosti, ki jo zastavi J. L. Austin, in jo prenesemo v okolje umetniškega izjavljanja. Konstativ in performativ zastavimo kot dva temeljna, kontrastno nasprotna načina umetniškega izjavljanja, ki ju poskušamo opredeliti z zakonitostmi umetniškega subjekta, objekta in umetniškega prostora. V ospredju dela je analiziranje sedemindvajsetih slovenskih in tujih medmedijskih avantgardnih umetniških oblik, v katerih so prisotna bolj ali manj intenzivna stanja vmesnosti med konstativnim in performaitvnim izjavljanjem. Prizadevamo si pokazati nerazvezljivost konstativnega in performativnega umetniškega izjavljanja in pokazati potrebo po revitaliziranem sprejemanju umetnosti, ki vzajemno črpa iz konstativnih in performativnih zakonitosti.

• Language: Slovenian
• Keywords: likovna govorica, konstativ, performativ, klasična umetnost, avantgardna umetnost, medmedijska umetnost, performans, body art
• Work type: Master's thesis/paper
• Typology: 2.09 - Master's Thesis
• Organization: FF - Faculty of Arts
• Place of publishing: Ljubljana
• Publisher: [V. Skrbinšek]
• Year: 2021
• Number of pages: 87 str.
• PID: 20.500.12556/RUL-127399
• COBISS.SI-ID: 67055363
• Publication date in RUL: 04.06.2021

SKRBINŠEK, Vid, 2021, Podoba je meso postala: zajedavstvo in sožitje likovnega performativa in konstativa [online]. Master’s thesis. Ljubljana : V. Skrbinšek. [Accessed 4 July 2025]. Retrieved from: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=eng&id=127399

Secondary language

• Language: English
• Title: The Image Became Flesh: The Parasitism and Symbiosis of Performatives and Constatives in Fine Arts

Abstract

Constative statements in art generate an agreed relationship between the signifier and signified. On the contrary, performative statements can entirely redefine the relationship between the signifier and signified. In the master's thesis we study the relationship between constative and performative artistic statements. We begin from the theory of linguistic performativity put forward by J. L. Austin and apply it to the artistic statement. We set the constative and the performative as two fundamental, contrastingly opposite ways of artistic expression, which we try to define within characteristics of the art subject, art object and art space. The focus is put on the analysis of twenty-seven Slovene and foreign intermedia avant-garde art forms, in which more or less the condition of betwixt and between constative and performative statements are present. We strive to show the inseparability of constative and performative artistic statements and stress the need for a revitalized acceptance of art, which mutually draws from constative and performative characteristics.

• Keywords: language of fine arts, constative, performative, classical art, avant-garde art, intermedial art, performative art, body art