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Vizualna prezentacija pojmov nasilja / Artivizem v performansu
ID Habjanič, Betina (Author), ID Sedlaček, Sašo (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrskem delu predstavljam teoretsko podlago in implikacije svojega dela na področju performativne in aktivistične umetnosti v obdobju zadnjih 3 let. V uvodnih poglavjih posebno pozornost posvečam problematikam specizma, nekropolitike in biopolitike v sodobni potrošniški družbi, s katerimi se soočam v večini svojih umetniških praks. Nadalje svojo umetnost umestim v kontekst sodobnih konceptualnih smeri performansa, t. i. »body arta« in aktivistične umetnosti, ki imajo pomembno vlogo v koncepciji mojih umetniških akcij. V zaključku magistrskega dela premislim odnos svoje umetniške produkcije do konstrukta realnosti in nakažem obrise prihodnjega projekta performansa v nastajanju, v katerem bom poskušala z nove perspektive premisliti smernice svojega umetniškega razvoja.

Language:Slovenian
Keywords:kiparstvo biopolitika nekropolitika specizem performans body art abjektnost aktivizem v umetnosti
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-126405 This link opens in a new window
Publication date in RUL:21.04.2021
Views:631
Downloads:118
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Secondary language

Language:English
Title:Visual presentation of the concepts of violence / Artivism in performance
Abstract:
In this Master's Thesis, I try to present the theoretical groundwork and implications of my work in the area of performative and activist art in the timespan of the last 3 years. In the opening chapters I assign special attention to the problematics of speciesism, necropolitics and biopolitics in contemporary consumerist society, which I confront in the majority of my artistic practices. After that, I try to position my art in the context of contemporary conceptual phenomena of performance art, body art and activist art, which all play an important role in the conception of my artistic actions. In the conclusion of the Thesis, I evaluate the relationship between my artistic production and the construct of reality and lay down the contours of a future project, a performance art piece in the making, in which I will strive to reconsider the directions of my artistic development from a new perspective.

Keywords:sculpture biopolitics necropolitics speciesism performance art body art abjectivity artistic activism

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