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Pevska šola Julija Betetta : doktorska disertacija
ID Bohak Adam, Tina (Author), ID Koter, Darja (Mentor) More about this mentor... This link opens in a new window

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Abstract
Doktorska disertacija obravnava tematiko, povezano s pevsko šolo Julija Betetta in je vsebinsko razdeljena na štiri poglavja s podpoglavji, ki obravnavajo zgodovinski razvoj poučevanja petja na Slovenskem do ustanovitve Konservatorija Glasbene matice, umetniško in pedagoško pot Julija Betetta, njegovo pevsko šolo ter recepcijo in njen pomen za slovensko glasbeno, natančneje pevsko pedagogiko in poustvarjalno prakso. Basista Julija Betetta (1885–1963) uvrščamo med najpomembnejše slovenske in jugoslovanske glasbene poustvarjalce 20. stoletja, kot izjemen basist se je zapisal tudi v zgodovino evropske operne poustvarjalnosti. Rojen Ljubljančan se je šolal v domačem mestu in leta 1903 postal član ljubljanske Opere. Leta 1907 se je vpisal na dunajsko Akademijo za glasbo in gledališko umetnost in jo v dveh letih z odliko končal. V dunajski Dvorni operi je pričel peti že med študijem in tam ostal do konca sezone 1921/1922, ko se je odzval povabilu Mateja Hubada in sprejel mesto prvega basista v ljubljanski Operi. Konec leta 1924 je kot pedagog pričel delovati na Konservatoriju Glasbene matice. Z njim se je pouk solopetja na Slovenskem populariziral, intenziviral in sistemiziral. Decembra 1933 je prevzel ravnateljsko mesto Državnega konservatorija, leta 1942 je postal rektor Glasbene akademije. Ob koncu 30.-ih so stopili v veljavo njegovi učni načrti za solopetje za celotno vertikalo glasbenega šolstva. Po vojni je do upokojitve leta 1962 deloval na Akademiji za glasbo, bil predstojnik solopevskega oddelka, dva mandata rektor ustanove in inšpektor za pouk solopetja. Betetto je utemeljil lastno pevsko šolo, ki sicer ni sistemizirana ali izdana v obliki didaktičnega priročnika, njeni temelji so sistematičnost, pevska tehnika in metodika petja. Nastala je po vzorih pevske šole Thuiskona Hauptnerja (1880), njegovih dunajskih profesorjev petja in iz lastne pevske prakse. Z Betettom se je nivo poučevanja na Slovenskem izjemno dvignil in dosegel evropsko primerljivo raven, kar potrjujejo številni uspehi njegovih učencev, študentov oz. zrelih umetnikov, ki so se uveljavili kot operni in/ali koncertni pevci ter pevski pedagogi. Društvo glasbenih umetnikov Slovenije podeljuje Betettovo nagrado za umetniške dosežke, od leta 1990 je pred ljubljansko Opero njegov doprsni kip. Življenjska pot velikega umetnika in pevskega pedagoga se je končala 14. januarja 1963.

Language:Slovenian
Keywords:slovenski pevci, pevska šola, metodika petja, učni načrti, Julij Betetto, umetniki, pedagogi, metodika petja
Work type:Dissertation
Typology:2.08 - Doctoral Dissertation
Organization:AG - Academy of Music
Place of publishing:Ljubljana
Publisher:[T. Bohak]
Year:2013
Number of pages:333 str.
PID:20.500.12556/RUL-125855 This link opens in a new window
UDC:782.071.2(497.4):929 Betetto J.
COBISS.SI-ID:269436160 This link opens in a new window
Publication date in RUL:08.04.2021
Views:1523
Downloads:137
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Secondary language

Language:English
Title:Singing school of Julij Betetto
Abstract:
The doctoral dissertation discusses topics related to singing school of Julij Betetto. The content is divided into four major chapters with subsections discussing historical development of the teaching of singing, establishment of the Conservatorium of Glasbena matica, the artistic and pedagogical path of Julij Betetto, his singing school and its reception, as well as the school's importance for the Slovenian music, specifically for vocal pedagogy and performing practice. The bassist Julij Betetto (1885–1963) is one of the most important Slovenian and Yugoslav musical performers of the 20th century. He was one of the greatest bassists in the history of European opera interpreters. Born in Ljubljana, he was educated in his home town and in 1903 became a member of the Ljubljana Opera House. In 1907, he enrolled in the Imperial Academy of Music and the Performing Arts and graduated with honors in two years. He started singing in the Vienna Court Opera during his study and stayed there until the end of the 1921/1922 season, when he accepted an invitation from Matej Hubad to take the position of the first bassist in the Ljubljana Opera House. At the end of 1924, he began teaching at the Conservatorium of Glasbena matica. He popularized, intensified, and systemized the teaching of singing in the Slovenian region. He became the Headmaster of the Slovene National Conservatorium in December 1933 and later a Rector of the Music Academy in 1942. In the late 1930's his lesson plans for singing were implemented as the standard for all of music education. After World War II, and until his retirement in 1962, he worked at the Academy of Music as Head of the Solo Singing Department, two terms as Rector of the institution, and as the inspector for singing lessons. Betetto founded his own singing school, whose teaching method was not formalized or published as a didactic manual. Its base were systematic, vocal technique, and singing methodology. It was created on the basis of a singing school of Thuiskon Hauptner (1880), his Viennese teacher of singing and on his own singing practice. Julij Betetto significantly raised the standard of teaching in Slovenia to the level of that comparable to the rest of Europe. This was validated by numerous successes of his students and renowned artists, who have established themselves as opera and/or concert singers and singing teachers. The Musicians' Association of Slovenia awards Betetto Prize for Artistic Achievement. His statue has been standing in front of the Ljubljana Opera House since 1990. Betetto passed away on January 14, 1963.

Keywords:Julij Betetto, artists, teachers, singing school, teaching plans, methods of singing

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