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Simulaker ljubezni in Ure
Butara Marsenič, Tim (Author), Krevel, Mojca (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo raziskuje koncept ljubezni v postmoderni dobi s stališča teorije simulakrov in simulacije filozofa Jeana Baudrillarda. Teoretični del se začne z definicijo Baudrillardovega koncepta simulakrov in ga aplicira na postmoderno ljubezen, nadaljuje pa z vpogledom v vlogo pravljic in zgodnje pop kulture v konceptualizaciji romantične ljubezni. Analitični del se osredotoči na roman Ure Michaela Cunninghama iz leta 1998 in filmsko adaptacijo Stephena Daldryja iz leta 2002. To delo je še posebej zanimivo za razpravo o ljubezni z vidika simulakrov, saj na vse različne romantične odnose v tem delu do neke mere vplivajo z ljubeznijo povezani simulakri, kar pogosto privede do spoznanja teh simulakrov in dvoma vanje ter celo do njihovega uničenja. V Urah so na mojstrski način izpostavljene nekatere kompleksne problematike postmodernih romantičnih odnosov, ki jih različne zgodbe demistificirajo ter obenem ponudijo možne alternative socialno zgrajenim predstavam o ljubezni in romantiki.

Language:Slovenian
Keywords:simulaker, hiperrealnost, ljubezen, tisti/tista (pravi/prava), srečno do konca svojih dni, pravljice, film, postmoderno
Work type:Master's thesis/paper (mb22)
Organization:FF - Faculty of Arts
Year:2020
Views:46
Downloads:19
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Secondary language

Language:English
Title:The Simulacrum of Love and The Hours
Abstract:
This thesis explores the concept of love in the postmodern era from the perspective of Jean Baudrillard’s theory of simulacra and simulation. The theoretical part of the thesis begins with a definition of Baudrillard’s simulacra and how they can be applied to postmodern love, continuing with a look into the role of fairy tales and early pop culture in the conceptualisation of romantic love. The focus of the analytical part is Michael Cunningham’s 1998 novel The Hours and its 2002 film adaptation by Stephen Daldry. This work is of particular interest to the discussion of love in terms of simulacra as the different romantic relationships depicted in it are all affected by various degrees of love-related simulacra, often leading to a comprehension, questioning and even dismantling of said simulacra. The Hours does an excellent job at pinpointing some of the complex issues in postmodern romantic relationships, demystifying them and providing viable alternatives to the socially constructed notions of what love and romance should look like.

Keywords:simulacrum, hyperreality, love, the one, happy ever after, fairy tales, film, postmodern

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