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Dokumentacija materialnega / Materialno dokumentacije
ID Savič, Urška (Author), ID Grafenauer, Petja (Mentor) More about this mentor... This link opens in a new window, ID Ožbolt, Alen (Mentor) More about this mentor... This link opens in a new window, ID Rauch, Peter (Comentor)

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Abstract
Dokumentacija materialnega – materialno dokumentacije preizprašuje obsesivno potrebo po dokumentaciji vsakdanjega življenja, osredotoča pa se na pojav dokumentacije v polju umetnosti, predvsem v okviru performativnih praks. V filozofskih ter umetniško-teoretskih kontekstih je prevladujoč termin, ki obravnava skupek dokumentacije, arhiv. Starogrška etimologija besede »arhiv« govori o starodavnosti koncepta. Njegov spreminjajoči se faktor so tehnologije, ki pogojujejo načine arhiviranja. Razloge za sodobno arhivsko obsesijo najdemo v hitrem tehnološkem razvoju nedavne preteklosti. Psihoanalitične vzporednice arhiv vzporejajo z območjem strahu pred izgubo spomina ali s strahom pred smrtjo, ki povzroča arhivsko mrzlico, manično kopičenje. Arhiv deluje kot sodobni podaljšek človeškega spomina, hramba svetovnega znanja, orodje (bio)politike in umetniški medij.

Language:Slovenian
Keywords:kiparstvo fotografija dokumentacija arhiv tehnologija digitalizacija performans prisotnost site-specific birokracija psihoanaliza znanost klasifikacija spomin zbirateljstvo radio RadioŠtudent magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2020
PID:20.500.12556/RUL-121937 This link opens in a new window
Publication date in RUL:10.11.2020
Views:1268
Downloads:393
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Secondary language

Language:English
Title:Documentation Of The Material / Materiality Of Documentation
Abstract:
The master thesis (Documentation of the material – Materiality of documentation) is questioning the obsessive need for documentation of everyday life. It focuses specifically on the appearance of documentation in artistic performative practices. The term synonymous to the accumulation of documents in philosophical contexts that keeps appearing inside the art theory literature is the archive. The etymology of that word proves its ancient origin and use. Different technologies not only seem to be a variable component of the archive, but can also determine its appearance. Reasons for the current archiving mania could therefore be found in a specific technological progress of the recent history. A psychoanalytical parallel can be placed in the concept of the archive where obsessively accumulating materials or the archive fever works as a strategy against the memory loss and deals with the death drive. The archive seems to be a contemporary extension of the human memory, the storage of global knowledge, the (bio)political tool and the medium of art creation.

Keywords:sculpture photography documentation archive technology digitalisation performance presence site-specific bureaucracy psychoanalysis science classification memory collecting radio RadioŠtudent MA thesis

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