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Pojmovanje barve v času Bauhausa
ID Hvastija Gaia, Anaja (Author), ID Brumen Čop, Andrej (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/6497/ This link opens in a new window

Abstract
Cilj diplomskega dela je raziskati, kako so barvo dojemali nekateri izmed najbolj vplivnih umetnikov prejšnjega stoletja. V diplomskem delu se osredotočam na barvne teorije umetnikov,ki so delovali na umetniški šoli Bauhaus in katerih teorije uporabljamo še danes. Na kratko predstavim poglavitno idejo gibanja Modri jezdec in omenim pomembne dogodke v zgodovini šole Bauhaus. Predstavim bistvene značilnosti barvnih teorij Vasilija Kandinskega, Paula Kleeja, Johannesa Ittna in Josepha Albersa. Po analizi barvnih teorij nadaljujem z analizo likovnih del umetnikov, pri katerih je osrednji element barva. Zanima me, kako so barvo uporabljali v lastnih likovnih delih. Nadaljujem s kratko opredelitvijo človeškega doživljanja barve, nato pa se ukvarjam s subjektivnim doživljanjem barve, pri čemer so mi v pomoč lastna likovna dela, nastala med študijem. V zaključnem delu diplomske naloge predstavim likovna dela, ki so se porodila med pisanjem diplomske naloge ter se opirajo na nova dojemanja in spoznanja.

Language:Slovenian
Keywords:Bauhaus
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2020
PID:20.500.12556/RUL-121647 This link opens in a new window
COBISS.SI-ID:33270531 This link opens in a new window
Publication date in RUL:27.10.2020
Views:809
Downloads:59
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Secondary language

Language:English
Title:Notion of colour in the bauhaus era
Abstract:
The aim of the thesis is to explore how color was perceived by some of the most influential artists of the last century. In my thesis, I focus on the color theories of artists who worked at the Bauhaus art school and whose theories we still use today. I briefly present the main idea of the Blue Rider movement and mention important events in the history of the Bauhaus school. I present the essential features of the color theories of Wassily Kandinsky, Paul Klee, Johannes Itten, and Joseph Albers. After analyzing color theories, I proceed with the analysis of artists’ artwork, with the central element being color. I wonder in what way they used color in their own artwork. I continue with a brief definition of the human experience of color, and then deal with the subjective experience of color, with the help of my own artworks created during my studies. In the final part of the diploma thesis, I present works of art that were created during the writing of the thesis and are based on new perception and cognitions.

Keywords:Bauhaus

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