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Umetnost in čusta
ID Kobal, Tina (Author), ID Kariž, Žiga (Mentor) More about this mentor... This link opens in a new window, ID Grafenauer, Petja (Co-mentor)

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Abstract
Čustva so pomemben del človekovega življenja. So procesi, ki izražajo človekov vrednostni odnos do zunanjega sveta ali do samega sebe. V diplomski nalogi je raziskan vpliv čustev na vedenje in druge duševne procese v povezavi z umetnostjo. Fokus je na povezavi čustev in duševnih motenj ter odpravljanju stigme, ki jo nosijo te teme. Pri tem je pozornost posvečena analizi barv in samih potez. Pozornost barvam pri umetniškem ustvarjanju je pomembna in hkrati tudi potrebna, saj imajo izjemno moč in vpliv na konstituiranje slikovnega polja, glede katerega si gledalec prizadeva dekodirati sporočilo in idejo samega likovnega dela. Barve, ki jih slikar uporablja, niso nič manj realne kot figure. Barve razumemo kot nekaj subjektivnega, intuitivnega in/ali ekspresivnega. To pa lahko prevedemo kot zelo značilno za estetske občutke in čustva. Praktični del naloge bo imel dvojno vlogo: sam proces ustvarjanja kot vrsto terapije, končni izdelki pa kot predstavitev same teme.

Language:Slovenian
Keywords:Slikarstvo, čustva, motnja, barve, teksture, diploma.
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2020
PID:20.500.12556/RUL-120612 This link opens in a new window
Publication date in RUL:23.09.2020
Views:832
Downloads:166
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Secondary language

Language:English
Title:Art and Emotions
Abstract:
Emotions are an important part of human life. They are processes that express a person's value to the outside world or to themselves. The thesis explores the influence of emotions on behaviour and other mental processes related to art. The focus is on connecting emotions and mental disorders and therefore removing the stigma, borne by these topics. In doing so, the focus is on the analysis of colours and strokes. Attention to colours in artistic creativity is important and at the same time necessary, as they have an extraordinary power and influence on the constitution of the pictorial field about which the viewer strives to decode the message and the idea of the work of art itself. The colours used by the painter are no less realistic than the figures. We understand colours as something subjective, intuitive and/or expressive. This can be translated as very typical of aesthetic feelings and emotions. The practical part of the thesis will have a dual role, the process of creating these paintings as sort of therapy and the final products as a presentation of the topic itself.

Keywords:Paintings, emotions, disorder, colours, texture, BA thesis.

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