Najdeno v prevodu / Najdeno v prevodu

Košar, Alja (author), Grafenauer, Petja (mentor), Stančič, Zora (mentor)

V magistrski nalogi smo povezali vizualno umetnost in glasbo. Spoznali smo podobnosti in razlike likovnega ter glasbenega jezika. Ugotovili smo, da sta se ti dve področji prepletali že v preteklosti. Vizualne umetnike je navdihovala glasba, skladatelje pa so inspirirali vizualni umetniki in njihova dela. Glasbeno interpretirano likovno delo, ustvarjanje po glasbi, navdih, improvizacija, grafična notacija – to so nekateri izmed pojmov, ki smo jih obravnavali v magistrski nalogi. Podrobno smo si ogledali razvoj notnega črtovja ter proces ustvarjanja glasbe in likovnega dela. Spraševali smo se, kaj se dogaja, ko vizualno umetnost in glasbo združimo – ali ena drugo podkrepita ali pa med seboj tekmujeta? Kaj se dogaja, ko vizualno prevedemo v slušno? Kaj izgubimo in kaj najdemo, dobimo? Kakšen odnos ima gledalec oz. uporabnik? V magistrski nalogi smo ju združili tako, da sem ustvarila grafične note v grafiki (tehnikah globokega tiska), ki so jih trije glasbeniki interpretirali po mojih navodilih. Izvajali so sodobno eksperimentalno glasbo in tako vzpostavili dialog z likovnim delom.

• Language: Slovenian
• Keywords: slikarstvo, grafika, globoki tisk, grafična notacija, notno črtovje, improvizacija, sodobna eksperimentalna glasba, performans, magistrska naloga
• Work type: Master's thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2020
• PID: 20.500.12556/RUL-120541
• Publication date in RUL: 22.09.2020

Secondary language

• Language: English
• Title: Found in Translation / Found in Translation

Abstract

This thesis aims to establish a connection between visual art and music. Furthermore, it explores the similarities and differences between musical and artistic language. What is more, this thesis illustrates that these domains have been already linked in the past: visual artists have been inspired by music, and composers have been inspired by musicians and their work. Musically interpreted artwork, creating while listening to music, inspiration, improvisation, and graphic notation are some of the major concepts employed in this thesis. We analysed in detail the evolution of the musical stave and the process of musical and artistic creation. Numerous questions arose during our writing the thesis: do visual art and music strengthen or compete with each other? What do we gather, lose, or find when we translate visual art into music? What is the consumer's relationship towards both? Using graphic notation in the form of graphics by employing the techniques of intaglio (printing), which three musicians interpreted according my instructions, it was possible to combine visual art and music; each musician performed experimental music which established a dialogue with the artwork.

• Keywords: painting, printmaking, intaglio, graphic notation, musical stave, improvisation, contemporary experimental music, performance, MA thesis