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Vse je vredno da propade
ID Tovornik, Nina (Author), ID Barši, Jože (Mentor) More about this mentor... This link opens in a new window, ID Berlot Pompe, Uršula (Co-mentor)

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Abstract
Proces nastanka umetniškega dela raziskujem z vnašanjem fragmentov različnih področij raziskovanja, ki so vezani na temo prostora, časa, umetnine in gibanja. V iskanju analize umetniškega dela se dotikam tem rituala, mita, potrošniške družbe, giba in nasilja, v katerih najdem vzporednice video zapisu umetniškega dela Vse je vredno, da propade. Gre za performativno obliko umetniškega ustvarjanja, v kateri proizvajam in hkrati uničujem. V prvem delu izrisa oz. prenosa iz akcije telesa na ploskev raziskujem prostor, ki se ustvari šele z gibom telesa (človeška figura kot skoraj mehanski objekt), nato pa sledi akcija destrukcije, v kateri se objekt v začasnosti ne razlikuje od ustvarjajočega. Dejanja so zapisana v mediju videa, katerega razdrobljenost vsebinsko in strukturno oblikuje diplomsko delo.

Language:Slovenian
Keywords:Kiparstvo, ritual, mit, nasilje v umetnosti, avra, samodestruktivno, gib, prostor, sodobna umetnost, diplomska naloga.
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2020
PID:20.500.12556/RUL-120251 This link opens in a new window
Publication date in RUL:17.09.2020
Views:1305
Downloads:226
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Secondary language

Language:English
Title:Everything is worthy of decaying
Abstract:
I am researching the process of art creation by incorporating fragments of various fields of research in relation to the subjects of space, time, artwork and movement. In the search for analysis of the work of art I dive into the themes of ritual, myth, consumer society, movement and violence, in all of which I find parallels to the video manifestation of the All is Worthy of Decay art piece. It is a performative form of art creation, in which I create and destroy simultaneously. In the first part of transference from body movement to surface I research the space created only after a movement is performed by the body (human form as an almost mechanical object). That is followed by an act of destruction, in which the object is temporarily indistinguishable from the creator. The acts are recorded in a video medium, the fragmentation of which provides a contentual and structural shape to this BA thesis.

Keywords:Sculpture, ritual, myth, violence in the arts, aura, self-destructive, movement, space, contemporary art, BA thesis.

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