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Motiv yōkaija v moderni animaciji - film Momo e no tegami
ID Puc, Meta (Author), ID Visočnik, Nataša (Mentor) More about this mentor... This link opens in a new window

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Abstract
Namen tega diplomskega dela je razlaga pojmov yōkai in anime ter v literaturi najti yōkaije, ki so navdihnili like v animiranem filmu Momo e no tegami, nato jih primerjati in obrazložiti zakaj in kako so spremembe med njimi nastale. Naloga je sestavljena iz teoretičnega in empiričnega dela. V teoretičnem delu je obrazložen pojem anime, in kako je japonska umetnost in zgodovina vplivala na umetnost mang in anime. Potem je obrazložena vloga yōkaijev v japonski kulturi, ter kdo so bili pomembni raziskovalci na tem področju. Sam pojem yōkai je obrazložen, skupaj z drugimi izrazi, ki so se uporabljali skozi zgodovino, ter bitji, ki imajo z njimi pomembno zvezo. Na koncu sledi še opis animiranega filma Momo e no tegami. V empiričnem so opisani yōkaiji, ki nastopajo v filmu in ti, ki so verjetno služili kot navdih zanje. Izpostavljene so razlike za vsak primer yōkaija. Razlike so analizirane in opisani so verjetni razlogi za kaj so nastale. Ugotovitve so pokazale, da je za prehod yōkaijev iz mitološkega bitja, v lik, ki je primeren za medij v katerem nastopa, potrebnih veliko prilagajanj, da se yōkai lahko vsebinsko in vizualno spoji z delom.

Language:Slovenian
Keywords:yōkai, anime, folklora, Japonska, kultura
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[M. Puc]
Year:2020
Number of pages:38 str.
PID:20.500.12556/RUL-119573 This link opens in a new window
UDC:39:791.228(520)
COBISS.SI-ID:62373123 This link opens in a new window
Publication date in RUL:10.09.2020
Views:881
Downloads:139
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Secondary language

Language:Japanese
Title:The Motif of Yōkai in Modern Animation – film Momo e no tegami
Abstract:
The aim of this thesis is the explanation of the concepts of yōkai and anime, and to try to find the yōkai that inspired the characters in the animated film Momo e no tegami, and then compare them and theorize how and why the changes between them occurred. It is comprised of the theoretic and empiric parts. In the theoretic part, the concept of anime is explained, and how Japanese art and history influenced the art of manga and anime. Then, the role of yōkai in Japanese culture is explained, with other related expressions, that have been used for supernatural creatures in the past, and creatures that are closely related to yōkai. At the end, there is a description of the film Momo e no tegami. In the empiric part, yōkai that appear in the film are explained, together with the ones that were probably the inspiration for them. For each example of yōkai the differences are listed. The differences are analyzed and the possible reasons for them are described. Findings show, that for the transition from yōkai as mythological creature, to a character that fits well within the medium in which it appears, many adjustments must be made.

Keywords:yōkai, anime, folklore, Japan, culture

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