izpis_h1_title_alt

Produkcija 360-stopinjskega glasbenega videospota
ID Malačič, Veronika (Author), ID Gabrijelčič Tomc, Helena (Mentor) More about this mentor... This link opens in a new window

.pdfPDF - Presentation file, Download (2,04 MB)
MD5: EE11E44C59F8ED59CBB69A54EBFEA42D

Abstract
Danes se nam zdi povezava med glasbo in videom povsem samoumevna. Glasbeni videoposnetki v gledalcu in poslušalcu vzbudijo neke vrste glasbeno doživetje in izkušnjo pesmi, njihovim ustvarjalcem pa omogočajo veliko mero kreativnega izražanja. Z združitvijo glasbenih videospotov s 360-° tehnologijo pa lahko dosežemo globljo potopitev udeleženca. Zelo pomemben je način pripovedovanja zgodb, ki se mora prilagoditi 360-° tehnologiji. To je vzrok za iskanje drugačnih načinov za uspešno pripovedovanje zgodbe, načrtovanje in produkcijo, v primerjavi s klasičnimi videospoti. Virtualna resničnost je področje, ki se v zadnjem času izjemno hitro razvija, in predstavlja medij kot nosilec resničnosti, ki lahko izkustvo videospotov ponese na povsem nov nivo. Ena izmed vej virtualne resničnosti je tudi 360-° video, ki udeleženca postavi v virtualni svet z možnostjo ogleda okolja na vse strani sfere. Glavni namen diplomske naloge je bil izdelati videospot, ki se razlikuje od ostalih, ki je prepoznaven in unikaten. Poleg tega je bil namen izpostaviti viden prehod iz pasivnega opazovanja tradicionalnih videospotov na celostno izkušnjo, prisotnost in raziskovanje v prostoru, interakcijo in potopitev. V okviru tega diplomskega dela smo razvili in realizirali idejo o povezavi tradicionalnih videoposnetkov, 360-° videoposnetkov in navidezne resničnosti. Lotili smo se razvijanja nove oblike medijskega izražanja v digitalni umetnosti s kombinacijo treh omenjenih tehnologij in ustvarili novi mešani medij. Z združevanjem tehnik smo kreirali izdelek z obogateno sporočilnostjo. V prvih poglavjih diplomskega dela smo na kratko predstavili tehnologije 360° videa, navidezne resničnosti in tradicionalnih videoposnetkov ter razlike med njimi, njihovo tehnično delovanje itd. Teorijo smo v nadaljevanju dopolnili s predstavitvijo tehnologij, pristopov in orodij, uporabljenih za postopek izdelave praktičnega dela. Eksperimentalni del povzema opis vseh faz video produkcije, od začetne do zaključne. Prikazuje in opisuje vse temeljne podfaze, od generiranja idej, priprav, poteka produkcije in končne montaže vse do izvoza posnetka, torej vse stopnje, ki so bile ključnega pomena za nastanek želenega izdelka. Rezultat diplomske naloge je vizualno in tehnično dovršen 360-° glasbeni videospot. Rezultati eksperimentalnega dela so v razpravi kritično ocenjeni in analizirani. Podane so možnosti in predlogi za potencialne izboljšave, v zaključku pa so predstavljena dognanja o celotni produkciji in delu.

Language:Slovenian
Keywords:360-° glasbeni videospot, video, virtualna resničnost, potopitev, produkcija
Work type:Bachelor thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2020
PID:20.500.12556/RUL-119156 This link opens in a new window
Publication date in RUL:04.09.2020
Views:755
Downloads:147
Metadata:XML RDF-CHPDL DC-XML DC-RDF
:
Copy citation
Share:Bookmark and Share

Secondary language

Language:English
Title:Production of a 360-degree music video
Abstract:
The connection between video and music is completely self-evident in the 21st century. Music videos bring the viewer and listener a melodical experience and an intense feeling of the song itself. They allow their makers to express in boundless creative ways. By connecting music videos with 360° technology we can immerse the viewer deeper into the scene. A very important part of 360° technology is the plot line. The story has to be adapted to fit this new style of filming. Finding new ways to tell, plan and produce the story, different from the old classic music videos is also the cause for the development 360° technology. VR is a rapidly developing area nowadays and as a alternate reality media that can bring the experience of music videos to a whole new level. One of the parts of VR is 360° video, that immerses the viewer into the virtual world with the possibility of watching the surroundings on all sides of the globe. The main purpose of this final thesis is to make a music video that is different, unique, recognisable and overall a statement piece. Besides that the intent was to highlight the transition from the passive music video watching to this whole active experience, interaction, exploration. In this thesis I developed and realized the idea of connecting the traditional music videos, 360° videos and VR. I set out to establish a new way of expressing through media in this digital world by connecting the three already mentioned technologies and to shape a new media. With a mix of all the techniques, I made a product with a significant message. In the first chapters of this thesis I shortly explain the 360° video technology, VR and normal music videos and point out their differences, how they work, etc. The theory is later further detailed with a presentation of the technologies, approaches and tools used for the practical part. The experimental part concludes a description of all the phases of video production from start to finish. It clearly states all the exact steps, from generating ideas, the course of production and the final montage all to the release of the video, that were needed to conclude this project. The final result of this thesis is a visually and technologically perfected 360° music video. The results of the experimental part are critically graded and analysed in the discussion. Lastly stated are options and suggestions for further improvements and in the conclusion a summary of the whole production and the whole project work.

Keywords:360° music video, video, virtual reality, immersion, production

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Back