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Roman Plamenice in solze v kontekstu postmodernizma
Sovič, Pika Polona (Author), Kos, Matevž (Mentor) More about this mentor... This link opens in a new window

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Abstract
Plamenice in solze so metafikcijsko delo in spadajo v književnost postmodernizma. Duhovnozgodovinsko ozadje te dobe zaznamujeta tudi razvoj informacijske družbe in avtonomizacija umetnosti, kar je vplivalo na značilnosti postmodernistične književnosti. Glavna značilnost književnosti postmodernizma je postmodernistična metafikcija, pod katero lahko uvrstimo tudi preplet visoke in nizke literature ter postmodernistično medbesedilnost, ki bralcu preprečuje identifikacijo z besedilom in zabrisuje meje med stvarnostjo in fikcijo. Vse te značilnosti lahko prepoznamo tudi v Blatnikovem romanu, v katerem se prepletajo različni žanri in je poln samorefleksivnih komentarjev in citatov, s katerimi se avtor na parodičen način navezuje na slovensko in svetovno literaturo. S tem romanom se je Blatnik približal tudi ameriški metafikciji, za katero je značilno tudi navezovanje na druge medije. Plamenice in solze se tako medbesedilno navezujejo na film Andreja Tarkovskega Stalker, ki pa je tudi sam posnet po romanu Arkadija in Borisa Strugacki z naslovom Piknik na robu ceste.

Language:Slovenian
Keywords:postmodernizem, metafikcija, medbesedilnost, Plamenice in solze, Stalker
Work type:Bachelor thesis/paper (mb11)
Organization:FF - Faculty of Arts
Year:2019
Views:24
Downloads:10
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Secondary language

Language:English
Title:Novel Torches and tears in the context of postmodernism
Abstract:
Torches and tears is a metafictional novel belonging to the literature of postmodernism. The social and historical background of this era was marked by development of technological society and the automation of art. Both of these processes also influenced the features of postmodern literature such as metafiction, which encompasses the interlacement of the classical and popular literature and postmodern intertextuality. The latter prevents the reader from identifying with the text and blurs the lines between what is fictional and what is real. All these characteristics can also be found in Blatnik's novel, which is permeated by the interlacement of various genres, self-reflective comments and quotations, which parodically connect to the Slovenian and world literature. With this novel, Blatnik came close to the so-called American metafiction, which does not only make intertextual references within the literary world but it streches beyond it and incorporates other media as well. Torches and tears is, consequently, related to Andrej Tarkovsky's Stalker, a film based on Arkady and Boris Strugacky's novel titled The Roadside Picnic.

Keywords:postmodernism, metafiction, intertextuality, Torches and tears, Stalker

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