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Konstrukcije avtentičnosti v sodobni slovenski popularni glasbi
Podobnik, Nejc (Author), Pompe, Gregor (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrskem delu izpostavljam vprašanje avtentičnosti v kontekstu sodobne popularne glasbe. Skozi zasledovanje pojma popularne glasbe, njene zgodovine in umestitve v določen kulturni prostor se mi kot pomembno odkrije vprašanje sodelovanja med človekom in tehnologijo. Tehnologija s svojim razvojem posebno od 20. stoletja dalje glasbenikom odpira različne izrazne možnosti, s pomočjo katerih glasbo posredujejo občinstvu. To spremeni zgodovinski odnos med glasbenikom in poslušalcem ter sproži vprašanja o pristnosti oziroma avtentičnosti izraza. Ta pojem, katerega filozofsko preteklost na kratko predstavim, ima v popularni glasbi danes središčno vlogo, zato me zanima, kaj so pogoji za njegovo prisotnost. Skozi analizo slovenske sodobne popularne glasbe odkrivam konstrukcije avtentičnosti v različnih glasbenih kontekstih. Razkrije se mi kot kompleksen koncept, ki se odvija na stičišču različnih kulturnih, družbeno-ekonomskih silnic in osebnih preferenc.

Language:Slovenian
Keywords:popularna glasba, avtentičnost, Challe Salle, BQL, Magnifico
Work type:Master's thesis/paper (mb22)
Organization:FF - Faculty of Arts
Year:2019
Views:455
Downloads:185
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Secondary language

Language:English
Title:Constructions of Authenticity in Contemporary Slovenian Popular Music
Abstract:
In my master's thesis I point out the question of authenticity in the context of contemporary popular music. Through introductory research of a term »popular music«, its history and placement in s cultural space I find the question of relationship between man and techology especially important. The latter is constantly introducing new expressive possibilities for musicians, especially with its developement from the 20th century on. That results in altered historical relationship between musician and listener and opens up various questions regarding authenticity of expression. I briefly introduce the philosophical tradition of a term »authenticity« that plays central role in today's popular music. Through analysis of contemporary slovenian popular music I am aiming to find essential conditions for constructions of authenticity in different musical contexts. It reveals to me as a complex concept that takes place at the junction of various cultural, socio-economic forces and personal preferences.

Keywords:popular music, authenticity, Challe Salle, BQL, Magnifico

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