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Vloga glasbe v koreografijah Iztoka Kovača
ID Remšak, Kim (Author), ID Stefanija, Leon (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrski nalogi je obravnavan odnos do glasbe v sodobnoplesnih predstavah. Najprej je predstavljen zgodovinski pregled plesa, sledijo povezave med glasbo in plesom, predstavitev skupine EnKnapGroup in koreografa Iztoka Kovača ter njegovih koreografskih značilnosti. Različne vloge, ki jih lahko glasba opravlja v sodobnem plesu so raziskane na primeru petnajstih koreografij, ki jih je med letoma 1993 in 2012 ustvaril Iztok Kovač, slovenski koreograf in umetniški vodja edine stalne sodobnoplesne skupine v Sloveniji EnKnapGroup. Analiza predstav koreografa Iztoka Kovača nam razkrije, da vlogo glasbe v sodobnoplesni predstavi ne moremo enoznačno opredeliti, saj glasba v predstavah opravlja različne vloge. Te vloge se med seboj mešajo in dopolnjujejo, v vsaki predstavi pa se razmerje med glasbo in plesom vzpostavi na novo.

Language:Slovenian
Keywords:glasba in ples, sodobni ples, Iztok Kovač, EnKnap, koreografije
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2019
PID:20.500.12556/RUL-111674 This link opens in a new window
Publication date in RUL:08.10.2019
Views:904
Downloads:204
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Secondary language

Language:English
Title:The role of music in choreographies of Iztok Kovač
Abstract:
This Masters's thesis discusses the relationship between music and contemporary dance. The thesis begins with an overview of dance history, followed by elaborations on relationships between dance and music. Followed by a presentation of the group EnKnapGroup, choreographer Iztok Kovač and his choreographic characteristics. The variety of roles music can have in the world of contemporary dance are examined through fifteen choreographies created between the years 1993 and 2012 by Iztok Kovač. The choreographer and artistic director of the only permanent group for contemporary dance in Slovenia, EnKnapGroup. The analysis of the performances reveals that the role of music in contemporary dance cannot be uniquely defined, since music develops different functions in the performance. Throughout the performance these functions are mixed and become complementary to each other. Therefore, the relationship between music and dance is re-established with each performance separately.

Keywords:music and dance, contemporary dance, Iztok Kovač, EnKnap, choreographies

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