Moja grafična ustvarjalnost med tradicijo in iskanjem alternativ / Moja grafična ustvarjalnost med tradicijo in iskanjem alternativ

Indihar Dimic, Anita (author), Muhovič, Jožef (mentor), Suhy, Branko (mentor)

Izhodišče magistrske naloge je poenostavljanje in abstrahiranje predmetnih oblik, tako v umetniški grafiki kot v slikarskem mediju. Do zanimanja za abstrahiranje me je pripeljalo ustvarjalno delo tekom magistrskega študija, ki se je izrazilo kot iskanje dialoga med predmetnimi in nepredmetnimi oblikami. Moje ustvarjanje ostaja zavezano intimni eksistencialni izkušnji in se vedno znova podaja na introvertirano iskanje osebnih doživljajev in občutij. Nadaljevala bom s poenostavljanjem in abstrahiranjem predmetnih oblik do te mere, da bodo prepoznavne oblike le delno vidne, v večini pa bodo skrite in se jih bo lahko le slutilo. Oblike ne bodo več zavezane samo vizualni, ampak tudi likovni resničnosti. Moja težnja v likovni ustvarjalnosti je ploskovitost oblik in raba intenzivnih barv. Na svoji ustvarjalni poti si prizadevam najti svoj lastni likovni izraz. Iz zazrtosti v zunanji svet, sem se obrnila v svojo notranjost.

• Language: Slovenian
• Keywords: grafika, abstrahiranje, predmetno, nepredmetno, slikarstvo
• Work type: Master's thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2019
• PID: 20.500.12556/RUL-111354
• Publication date in RUL: 28.09.2019

Secondary language

• Language: English
• Title: My graphical creativity between tradition and the search for the alternatives / My graphical creativity between tradition and the search for the alternatives

Abstract

The basic premise of my master's thesis is the simplification and abstraction of objective forms, namely in the art graphics as well as in the medium of painting. The interest in abstraction arose from my creative work during the master's degree studies, which was manifested as a search for dialogue between the objective and non-objective forms. My artistic creation remains committed to an intimate existential experience and is repeatedly setting out on an introverted search for personal experiences and feelings. I shall carry on with the simplification and abstraction of objective forms to the extent where recognizable forms will be only partially visible, whereas in most cases hidden and only potentially anticipated. Forms will no longer be bound only to visual but also to artistic reality. My aspiration in artistic creativity is the flatness of forms and the use of fresh colours. On my creative path I strive to find my own artistic expression. From gazing at the outside world, I have turned to my inner part.

• Keywords: graphics, abstraction, objective, non-objective, painting