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Trajanje in prisotnost: Na poti k zavedanju prostora in časa prek umetniškega dela / Trajanja, prisotnosti
ID Drev, Tesa (Author), ID Černelč, Robert (Mentor) More about this mentor... This link opens in a new window, ID Muhovič, Jožef (Mentor) More about this mentor... This link opens in a new window

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Abstract
Praktični del naloge je video instalacija z naslovom Trajanja, prisotnosti. V njej se osredotočam na svetlobe in sence, saj želim usmeriti pogled k na videz nepomembnemu dogajanju v naših vsakdanih, ki pa lahko spodbudi zavedanje o pomenu človekove psihofizične prisotnosti v danem trenutku in prostoru ter nas hkrati nauči drugače gledati na svet. V teoretičnem delu naloge v povezavi z video instalacijo razmišljam o tistem območju, kjer se ne dogaja nič velikega, in vendar je v njem marsikaj takšnega, kar bi lahko površno označili za praznino, a ravno ti drobni dogodki, ki se zdijo nepomembni, lahko, če jih zmoremo zaznati, tvorijo polnost naših življenj. Med drugim izhajam iz koncepta »vidnega in nevidnega« Maurica Merleauja-Pontyja, spraševanj o trajanju časa Henrija Bergsona, iz razmišljanj o poetiki prostora Gastona Bachelarda in razmišljanj cineasta Andreja Tarkovskega o času in filmu ter iz japonskega koncepta wabi sabi, ki časti vse minljivo, nepopolno in nedokončano. Oziram se tudi k sodobnim umetnikom, ki v svojih delih izražajo pomen človekove časovno-prostorske zavesti.

Language:Slovenian
Keywords:Slikarstvo, video instalacija, časovno-prostorska zavest, trajanje, prisotnost, realizem upodabljanja časa, svetlobna umetnost, fotografija, film, wabi sabi, japonska čajna ceremonija, poetika prostora, vidno in nevidno, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2019
PID:20.500.12556/RUL-111301 This link opens in a new window
Publication date in RUL:27.09.2019
Views:1862
Downloads:214
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Secondary language

Language:English
Title:Duration and Presence: Towards the Awareness of Space and Time through Works of Art / Duration and Presence
Abstract:
The practical part of my composition is a video installation titled Duration and Presence. It focuses on lights and shadows because I want to direct our gaze on all that, which is seemingly insignificant but can stimulate people's awareness of the importance of their psychophysical presence in an ongoing moment and space, and can also teach us to look at the world in a different way. In the theoretical part I reflect on that sphere of being where nothing exceptional is taking place, entailing many a thing that might superficially be denoted as emptiness, yet precisely these slight moments, if we manage to perceive them, constitute the fullness of our lives. Among other things, I proceed from Maurice Merleau-Ponty's concept of »the visible and the invisible«, contemplations on the duration of time by Henri Bergson, reflections on space by Gaston Bachelard, musings on time by the filmmaker Andrei Tarkowsky and on the Japanese notion of wabi sabi that honours all that is fleeting, imperfect and incomplete; I also take a look at the works of few artists who in their works deal with the meaning of man's temporal-spatial cognizance.

Keywords:Painting, video installation, temporal-spatial cognizance, duration, presence, realism of depicting time, light art, photography, film, wabi sabi, japanese tea ceremony, poetics of space, the visible and the invisible, MA thesis

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