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Vrnitev serije Twin Peaks v kontekstu sodobne televizije
Pliberšek, Nina (Author), Krečič Žižek, Jela (Mentor) More about this mentor... This link opens in a new window

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Abstract
David Lynch velja za enega najpomembnejših ameriških režiserjev, auteurjev, njegova dela pa že desetletja uživajo kultni status. Serija Twin Peaks, ki je leta 1990 nastala v sodelovanju z Markom Frostom, ni prav nobena izjema. Avtorja sta si Twin Peaks zamislila kot detektivko, ki prepleta različne žanre, s čimer je serija uveljavila nove standarde v televizijskem mediju in dokazala, da množično občinstvo lahko spremlja tudi bolj kompleksne TV vsebine. S postmodernističnim mešanjem žanrov vzpostavlja serija meta-pripoved, ki obenem reflektira status popularno kulturnih žanrov in zvrst TV nadaljevanke nasploh. 26 let kasneje se zgodba nadaljuje, avtorja Lynch in Frost posnameta še tretjo sezono serije, ki je prišla na televizijske ekrane leta 2017. V diplomskem delu sem pokazala, kako avtorja spreobrneta gledalčeva pričakovanja glede narativa, razvoja karakterjev, kadriranja in stilizacije, ki ob elementih nadrealizma omogočajo popolnoma novo izkušnjo nadaljevanke. Nov zagon serije odpira novo perspektivo na izvorno serijo, s čimer presega standarde TV serij.

Language:Slovenian
Keywords:popularna kultura, televizijska nadaljevanka, Twin Peaks: Vrnitev, David Lynch, postmodernizem
Work type:Bachelor thesis/paper (mb11)
Organization:FF - Faculty of Arts
Year:2019
Views:303
Downloads:126
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Secondary language

Language:English
Title:The return of Twin Peaks in the context of contemporary television
Abstract:
David Lynch is considered one of the most important American directors, an auteur, his works having achieved cult status over the decades. Twin Peaks, made in association with Mark Frost in 1990, is no exception. The authors envisioned the series as a murder mystery that combines different genres, putting forward new standards in the television medium and proving that audiences are capable of keeping up with more complex TV content. By using a postmodern blend of genres it produced a meta-narrative that also reflects on the status of pop culture genres and on television series itself. 26 years later the story continues, Frost and Lynch have made a third instalment to the series, which came out in 2017. In my thesis I demonstrated how the authors subvert the audience’s expectations in regards to narrative, character development, shorts and style. These alterations along with elements of surrealism art allow for a completely new TV series experience. The revival of the franchise opens up a new perspective on the original work, and in doing so it once again surpasses the standards of its contemporaries.

Keywords:popular culture, television series, Twin Peaks: The Return, David Lynch, postmodernity

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