Načini dopolnjevanja poškodovane barvne poslikave na keramični ročki iz Narodnega muzeja Slovenije

Rode, Lisa (author), Šeme, Blaž (mentor), Slabe, Janja (comentor)

Diplomsko delo obravnava konservatorsko-restavratorski postopek barvnega dopolnjevanja manjkajoče poslikave na keramični ročki iz zbirke Narodnega muzeja Slovenije. S prikazi tehnično različnih načinov barvnih dopolnitev smo iskali najprimernejšo metodo za konservatorsko-restavratorski poseg predmeta obravnave. Pri preiskavi ustreznih materialov smo se osredotočili na sintetične smole, ki se v največji meri približajo videzu površine glazurnega slikovnega sloja na izvirniku. V začetnem delu se raziskava osredotoča na konservatorsko-restavratorsko metodologijo dela in na muzejsko predstavitev likovnih del. Z načeli barvnega dopolnjevanja se tematika usmerja k tehnični in metodološki obravnavi praktične izvedbe barvne dopolnitve na predmetu. Z izdelavo preizkusnih vzorcev na mavčnih odlitkih smo se poskušali s točkovnim, črtnim in lazurnim dopolnjevanjem približati videzu originalne večbarvne poslikave. Po zaključni diskusiji smo najprimernejšo metodo dela izvedli še na predmetu obravnave. Ob zaključku dela je Narodni muzej Slovenije v vitrini meseca predstavil tehnično-tehnološke načine barvnega dopolnjevanja na keramičnem izvirniku. Keramična ročka se je po končanem posegu v vitrini prikazala kot rezultat konservatorsko-restavratorskih del, ki so potekala v sklopu diplomskega dela.

• Language: Slovenian
• Keywords: konservatorstvo-restavratorstvo barvna dopolnitev retuša reintegracija keramika okrasna ročka fajansa aldehidna smola diplomska naloga
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2019
• PID: 20.500.12556/RUL-111104
• Publication date in RUL: 24.09.2019

Secondary language

• Language: English
• Title: Ways of reintegration the missing polychrome painting on ceramic handle

Abstract

The bachelor’s thesis discusses the conservation-restoration procedure of color reintegration of the missing painting on the ceramic handle from the collection of the National Museum of Slovenia. By presentations of technically different methods of color reintegration, we sought the most appropriate method for the discussed subject. When researching the appropriate materials, we focused on the synthetic resins which are the closest approximation of the surface glaze layer of the picture on the original to the greatest extent. In the initial part, the research is focused on the conservation-restoration methodology of work and museum presentation of the works of art. By the principles of color reintegration, the subject matter is directed to the conservation-restoration treatment of practical realization on the subject technically and methodologically. By the production of test samples on the plaster cast, we tried to approximate to the appearance of the original multicolor painting by point, line and glaze addition. After the concluding discussion, we performed the most appropriate methodology of work on the subject of the discussion. When the work was finished the National Museum of Slovenia presented technical-technological methods of color reintegration on the ceramic original in the display case of the month. The ceramic handle was presented in the display case after the treatment was finished as the result of the conservation-restoration works which were performed in the complex of the bachelor’s thesis.

• Keywords: conservation-restoration color reintegration retouch reintegration ceramics decorative handle fayence aldehyde resin BA thesis