izpis_h1_title_alt

Klasični slikarski medij v Post-sodobnem (času).
Majes, Miha (Author), Gorenec, Bojan (Mentor) More about this mentor... This link opens in a new window, Šušnik, Tugomir (Co-mentor)

.pdfPDF - Presentation file, Download (1,83 MB)

Abstract
Kulturna dediščina slikarstva nam je bila dana s strani prednikov in njihovo bistvo, to je patos klasične lepote, je človeku v sodobnem času popolnoma tuje. Nepredstavljivo je, kako produktivno so epistemološki potencial slikarskega medija skozi zgodovino obravnavali in manifestirali klasični mojstri in nepredstavljivo je trenutno stanje sodobne umetnosti, ki se je popolnoma ujela v pasti neoliberalnega trga in podlegla zahtevnim normam kapitala. V upanju, da bi uspešno definirala sámo sebe, je sodobnost izgubila stik s svojim lastnim časom, sodobna umetnost je izgubila stik s smislom umetnosti in »klasični« slikarski medij težko najde svoje suvereno mesto v svetu, kjer informacijska poplava dnevno proizvede hibridne nove medije za samopotrditev egoistične neoliberalne umetnosti, ki do klasičnega in akademskega znanja goji korporativni odnos. V upanju, da je prihodnost svetla, nagovarjam širše občinstvo, ki nedvomno mora razmisliti glede (ne)pravice kulturnopolitičnega sistema, da se etika in morala prihodnosti končno znajdeta v pravi veri in ne hedonističnemu uživanju sodobne kulture, ki trenutno dekadenčno uprizarja lastni konec.

Language:Slovenian
Keywords:Slikarstvo, Zgodovinsko slikarstvo, Sodobno slikarstvo, Sodobnost, Post-sodobnost, Bienale, Umetnostna teorija in kritika, Diplomsko delo
Work type:Bachelor thesis/paper (mb11)
Organization:ALUO - Academy of Fine Arts and Design
Year:2019
Views:41
Downloads:23
Metadata:XML RDF-CHPDL DC-XML DC-RDF
 
Average score:(0 votes)
Your score:Voting is allowed only to logged in users.
:
Share:AddThis
AddThis uses cookies that require your consent. Edit consent...

Secondary language

Language:English
Title:Classical painting in Post-contemporary Art conditions.
Abstract:
Cultural heritage of painting was given to us by our predecessors. Their point was pathos of classical beauty-something modern human is completely estranged from. It’s inconceivable how productively the epistemological potential of the medium of painting was handled and manifested by the classical masters. It’s also inconceivable how the contemporary art, completely trapped in neoliberal market, surrendered to ever more demanding norms of the capital. In hopes of successfully defining itself, the contemporaneity has lost contact with it’s own time, with the point of art and with ‘’classical’’ medium of painting. This medium has a hard time finding its own sovereignty in today’s world. The information overload we are subject to produces new hybrid forms of medium for self-confirmation of egoistical, neoliberal art that breeds a corporate attitude towards classical and academical knowledge. In hopes of a bright future I address my audience to think about (in)justices of our cultural-political system, and to find place for ethics and morals of the future in their true meaning and not as hedonistic consumption of modern culture that is currently busy orchestrating it’s own downfall.

Keywords:Painting, Historical painting, Contemporaneity, Post-contemporary, Biennale, Art theory and critics, BA Thesis

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Comments

Leave comment

You have to log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back