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Škofjeloški pasijon v luči medreligijske prisotnosti
Križnar, Franc (Author)

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Abstract
Dramsko besedilo in procesijo Škofjeloški pasijon (v nadaljevanju ŠP) patra Romualda Marušiča iz l. 1721 v Škofji Loki (Sloveniji) spremlja od samega začetka glasba. Avtor na podlagi novih, sodobnih izvedb s pomočjo avdio- in videoposnetkov piše o vsej glasbi ŠP. Začne z njenim izvirnikom in prvimi postavitvami, ki so še najmanj dokazljive in zato hipotetične. V morda malce daljšem uvodu prinaša repertoar slovenskih postnih pesmi in Tolminskega rožarja kot eno izmed najbolj verjetnih »podlag« za ŠP. Navaja glasbene dodatke Josipa Čerina, Nika Kureta in Stanka Premrla, pa glasbo, ki sta jo za zadnje novodobne škofjeloške procesijske obnovitve ŠP prispevala Andrej Misson in Tone Potočnik, medtem ko sta jo za statično postavitev v Drami SNG Ljubljana (2000) prispevala ljudska pevka Ljoba Jenče in slovenski skladatelj Aldo Kumar. Predstavljena je nova uglasbitev ŠP v Ljubljani in Škofji Loki (2002) slovenskega skladatelja Alojza Srebotnjaka. Razpoložljiva dela so predstavljena muzikološko analitično, v zaključku pa avtor potegne med njimi določene vzporednice in izpostavi določene prednosti ene in druge (glasbe). Vsem je skupno edinole izvirno besedilo: diplomatični prepis, preprosta fonetična transkripcija s prevodom neslovenskih delov besedila o. Romualda, na katerem slonijo tudi vse omenjene (nove in sodobne) izvedbe glasbe za ŠP.

Language:Slovenian
Keywords:slovenske postne pesmi, procesije, Škofjeloški pasijon, glasba
Work type:Article (dk_c)
Tipology:1.04 - Professional Article
Organization:TEOF - Theological Faculty
Year:2015
Number of pages:str. 145-156
Numbering:Letn. 70, št. 1/2
UDC:792.246(497.4Škofja Loka)
ISSN on article:2335-4127
URN:URN:NBN:SI:doc-7MNMV11C
COBISS.SI-ID:10293763 Link is opened in a new window
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Downloads:105
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Record is a part of a journal

Title:Edinost in dialog
Publisher:Inštitut za ekumensko teologijo in medreligijski dialog pri Teološki fakulteti Univerze v Ljubljani
ISSN:2335-4127
COBISS.SI-ID:268194560 This link opens in a new window

Secondary language

Language:English
Title:The Passion of Škofja Loka in Context of Interreligious Presence
Abstract:
The dramatic text and procession of PŠL of Father Romuald Marusic from the year 1721 in Škofja Loka (Slovenia) have been according from the beginning the music. The author writes about all music on the basis of new contemporary performances according audio- and video-recordings: from the original and the first performances of PŠL – which are the least provable and therefore hypothetic - on that account is there a little longer introduction, which brings the repertory of Slovene fast songs, the Rosary of Tolmin/Tolminski rožar (as one of the most credible “basis” for PŠL, there are musical additions of Josip Čerin, Niko Kuret and Stanko Premrl, and the music, which is for the last “new-age” performances of procession reconstructions of PŠL, itself has contributed Andrej Misson and Tone Potočnik; for statiscical arrangements of PŠL. The other performances have arrived in Drama (of Slovene National Theatre in Ljubljana, 2000) the folk singer Ljoba Jenče and the Slovenian composer Aldo Kumar. There are the new composed composition of PŠL – in Ljubljana and in Škofja Loka are performed (2002) – by Slovene composer Alojz Srebotnjak. Available works are represented by musicological and analytical, then author draws during them certain parallels in conclusion and he puts up fixed preferences of either music. All of them are unitary the text of PŠL: diplomatic transcription, simple phonetic transcription with translation non-Slovene parts of text of P. Romuald; by them is leaned all mentioned (new and contemporary) performances of music of PŠL.

Keywords:he Slovene fast songs, procession, the Father Romuald of St. Andrea-F. Romuald or Laurence Marusic (Marusig), the Rosary of Tolmin

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