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Psihoanalitična in narativna analiza filma Črni labod
ID Zidanič, Neža (Author), ID Šterk, Karmen (Mentor) More about this mentor... This link opens in a new window, ID Pušnik, Maruša (Comentor)

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Abstract
V diplomskem delu sem preučevala film Črni labod, psihološki triler režiserja Darrena Aronofskyja. Film se osredotoča na psihološko delovanje glavne protagonistke, baletke Nine Sayers. V teoretskem delu sem predstavila teorijo o filmu in filmskem jeziku, narativno teorijo in teoretske koncepte psihoanalize dveh avtorjev, ki sta imela največ vpliva na psihoanalitično filmsko teorijo. V drugem, analitičnem delu sem izvedla narativno analizo filma, pri čemer sem se oprla na elemente strukturalistične teorije in filmski jezik, nato pa sem vsebino filma analizirala še skozi koncepte psihoanalize. Skozi analizo elementov strukturalistične teorije sem prišla do ugotovitve, da je notranja fokalizacija ključna pri temu, da gledalci dobimo podroben vpogled v duševno notranjost glavne protagonistke. Ta je fokalizirana iz psihološkega, čustvenega, zaznavnega in kognitivnega vidika in tako deluje kot fikcijski filter, skozi katerega gledalci vidimo zgodbo. Skozi koncepte psihoanalize sem ugotovila, da karakterji v filmu delujejo kot deli človeškega psihičnega aparata po Freudu. Mrs. Sayers deluje kot superego, Nina kot ego in Lily kot id. Ugotovila sem, da imata narativna struktura in filmski jezik ključno vlogo pri tem, kako bomo gledalci zaznavali dogodke v zgodbi, psihoanaliza pa nam je pomagala osmisliti dogodke v zgodbi.

Language:Slovenian
Keywords:Črni labod, narativna analiza, strukturalistična teorija, psihoanaliza.
Work type:Bachelor thesis/paper
Organization:FDV - Faculty of Social Sciences
Year:2019
PID:20.500.12556/RUL-108439 This link opens in a new window
COBISS.SI-ID:36282717 This link opens in a new window
Publication date in RUL:03.07.2019
Views:2626
Downloads:441
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Secondary language

Language:English
Title:Psychoanalysis and narrative analysis of movie Black Swan
Abstract:
In my thesis I studied a film Black Swan, psychological thriller, directed by Darren Aronofsky. Film focuses on psychological activity of the main protagonist, ballerina Nina Sayers. In theoretic part I introduced film theory, film language, narrative theory and theoretic concepts of psychoanalysis by two authors that had the biggest impact on psychoanalytic film theory. In second, analytical part, I performed a narrative analysis of film, where I used concepts of structuralist narratology. Then I analysed the film through the concepts of psychoanalysis. Through analysing element of structuralist theory, I reached findings that inner focalization is the key for spectators to get a detailed insight into the mentality of the main protagonist. She is focalized through psychological, emotional, perceptional and cognitive perspective and therefore works as fictional filter through which the spectators see the story. Through the concepts of psychoanalysis I reached findings that characters in the movie work as parts of human psychic apparatus by Freud. Mrs Sayers works as superego, Nina as ego and Lily as id. I discovered that narrative structure and film language play the main role in how the spectators are going to perceive the happenings in the story and that psychoanalysis has helped us give meaning to the events in the story.

Keywords:Black swan, narrative analysis, structuralist theory, psychoanalysis.

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