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Vpliv E. T. A. Hoffmanna na razvoj fantastične proze v Franciji
ID Kapus, Anja (Author), ID Virk, Tomislav (Mentor) More about this mentor... This link opens in a new window, ID Marinčič, Katarina (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrski nalogi smo proučevali vpliv E. T. A. Hoffmanna na razvoj fantastične proze v Franciji, ki je nastajala okvirno med letoma 1830 in 1850. Pri tem smo se med drugim opirali na Freudovo razpravo o srhljivem (»Das Unheimliche«), predvsem pa na definicijo fantastičnega po Todorovu. Todorov je kot osrednji pogoj za umestitev literarnega dela v fantastični žanr določil negotovost bralca, ki se ne more odločiti med racionalno in nadnaravno razlago fantastičnih dogodkov, ki nenadno vdrejo v sicer realistično pripoved. Fantastično obstaja zgolj v tem območju negotovosti, zato je definicija fantastičnega po Todorovu izredno ozka in vključuje razmeroma majhno število del. V fantastični zgodbi ima tako osrednjo vlogo (implicitni) bralec, učinek negotovosti pa je dosežen s pomočjo različnih pripovednih postopkov, kot so tip pripovedovalca, metafikcijski postopki, ustvarjanje suspenza, modalnost propozicij in uporaba nedoločnih jezikovnih elementov. Vpliv Hoffmanna, začetnika fantastične pripovedi, in uporabo zgoraj navedenih značilnosti fantastične proze smo ponazorili na primeru zgodb Théophila Gautierja, ki je med francoskimi pisci fantastične proze verjetno najbolj reprezentativen primer hoffmannovske fantastike.

Language:Slovenian
Keywords:E. T. A. Hoffmann, »das Unheimliche«, fantastična zgodba, Tzvetan Todorov, Théophile Gautier.
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2019
PID:20.500.12556/RUL-108380 This link opens in a new window
Publication date in RUL:30.06.2019
Views:751
Downloads:177
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Secondary language

Language:English
Title:Influence of E. T. A. Hoffmann on the French fantastic genre
Abstract:
This thesis adresses the influence of E. T. A. Hoffmann on the fantastic genre in France (»le fantastique«), which includes stories, that were produced roughly between 1830 and 1850. This thesis is based, inter alia, on Freud's essay about the uncanny (»Das Unheimliche«), but mostly on the Todorov's definition of the fantastic. The latter is based on three conditions, on which a literary work belongs to the fantastic genre, the essential one being the (implicit) reader's hesitation between a rational and a supernatural explanation of the fantastic events that suddenly take place in an otherwise realistic narrative frame. The fantastic exists only as long as there is uncertainty, therefore Todorov's defitiniton is extremely narrow and includes a relatively small number of literary works. However, this definition implies a key role of the (implicit) reader in the fantastic genre. As for the effect of uncertainty, it can be achieved by different narrative strategies, e.g. type of narrator, metafiction, suspense and use of modality and indeterminacy on the lingustic level. This thesis attempts to illustrate the influence of Hoffmann, who was the pioneer of the fantastic genre, and the above-mentioned elements of the fantastic on the works of Théophile Gautier, who is probably the most representative example of Hoffmannism amongst the French authors.

Keywords:E. T. A. Hoffmann, »das Unheimliche«, the fantastic genre, Tzvetan Todorov, Théophile Gautier.

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