Konflikt med obiskovalci in prebivalci mestnega središča na primeru ulične glasbe v Ljubljani

Nedić, Andreja (author), Hočevar, Marjan (mentor)

V prostoru, kjer delujemo, se kažejo razmerja moči različnih družbenih skupin. Prostor je drugače reguliran za različne družbene skupine. Ulični glasbeniki s svojo zgodovino poosebljajo vrednote svobodnosti in spontanosti, vendar pa za podjetnike, zaposlene v bližnjih stavbah, predstavljajo motnjo. Svojo moč izražajo z zahtevo regulacije uličnih glasbenikov s strani lokalnih avtoritet, ki jim v tem ustrežejo. V praksi se ta regulacija v večini primerov izkaže kot uspešna, saj se večina glasbenikov drži zakonskih pravil. Pri izjemah, ki se ne, pa ni videti zakonskih posledic. Večjih razlik med raziskovanjem delovanja uličnih glasbenikov v poletni in zimski sezoni ni. V obeh sezonah raziskovanja je najpogostejši inštrument harmonika, izbrane lokacije pa sovpadajo z deli mestnega središča, kjer je največja koncentracija ljudi. Čeprav lokalne oblasti spodbujajo spontanost uličnih nastopov, je ta svobodna izbira navidezna. Prebivalci mesta o uličnih glasbenikih ne komunicirajo z lokalnimi oblastmi, prav tako ne turisti. Edina vrsta komunikacije lokalnih avtoritet z uličnimi glasbeniki pa je preko njihove regulacije. Tako moč podjetnikov kot obiskovalcev mesta prevlada nad ostalimi udeleženci v mestu, saj lahko zahtevajo regulacijo drugih družbenih skupin, ki delujejo v skupnem prostoru.

• Language: Slovenian
• Keywords: obiskovalci, prebivalci, ulični glasbeniki, regulacija
• Work type: Bachelor thesis/paper
• Organization: FDV - Faculty of Social Sciences
• Year: 2019
• PID: 20.500.12556/RUL-108372
• COBISS.SI-ID: 36280669
• Publication date in RUL: 29.06.2019

Secondary language

• Language: English
• Title: Conflict between visitors and residents of the city center in the case of street music in Ljubljana

Abstract

In space where we act, power relations between different social groups are recognized. Space is regulated differently for particular social groups. Street musicians embody values of freedom and spontaneity with their history. However, for the entrepreneurs working nearby they represent disturbance. They manifest their power by demanding a regulation of street musicians from local authorities who authorize their demand. This regulation proves to be successful in most cases in practice, as most musicians do not break the law. In the cases of exception where they break the rules there is no sign of legal consequences. There are no major differences in comparison of research of street musicians actions between the summer and winter seasons. In both seasons of research the most common instrument is the accordion while selected locations correspond with sections of the city center that are the most concentrated. Although local authorities encourage the spontaneity of street performances, that freedom is deceptive. Residents of the city do not communicate with local authorities about street musicians and nor do tourists. The only type of communication between local authorities and street musicians is through their regulation. Therefore, power of entrepreneurs as city visitors prevails over other participants in the city as they can demand regulation of other social groups who are present in common space.

• Keywords: visitors, residents, street musicians, regulation