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Strip - gibanje - animacija
ID Kovše, Katja (Author), ID Stančič, Zora (Mentor) More about this mentor... This link opens in a new window, ID Kamnik, Andrej (Comentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/5762/ This link opens in a new window

Abstract
V magistrskem delu bom podrobneje raziskovala povezavo med stripom in animacijo, ki temelji in izhaja iz gibanja. Strip in animacija mi bosta predstavljala dva različna pola, med katerima bom iskala sorodnosti, izhajajoče iz gibanja – kaj je gibanje v stripu in kako strip »razgibamo« ter pretvorimo v gibajočo se formo? V teoretičnem delu bom opredelila osnovne pojme, ki definirajo obe umetniški zvrsti in igrajo bistveno vlogo v procesu nastanka obeh, te pa bom skozi nadaljevanje med sabo primerjala. Moj raziskovalni problem bo predstavljal vnos gibanja v strip, zato bom v empiričnem delu na osnovi avtorskega stripa izdelala avtorski animirani film, ki bo predstavljal končni izdelek magistrskega dela, skozi razumevanje podobnosti in razlik med omenjenima zvrstema pa bom končni izdelek ter celoten proces analizirala. Z vključevanjem avtorjev s področja stripa in animacije se bom posvetila tudi zgodovinskemu vidiku razvoja obeh področij, raziskala pa bom tudi razloge, zakaj med ljudmi vlada splošno prepričanje, da je animirani film zvrst za otroke. Pristop raziskave bo kvalitativen, saj bom analizirala lastna umetniška dela, hkrati pa izvedla intervjuje s tremi animatorji.

Language:Slovenian
Keywords:strip
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Year:2019
PID:20.500.12556/RUL-108077 This link opens in a new window
COBISS.SI-ID:12464201 This link opens in a new window
Publication date in RUL:17.06.2019
Views:1366
Downloads:243
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Secondary language

Language:English
Title:Comic – motion – animation
Abstract:
Existent master's degree is a research about conection between comics and animation, based on motion. A comic and an animation are two different poles between which I am searching for affinities, derived from motion – what is motion in comic and how can we stretch it into a moving form? In theoretical part I am defining and comparing basic terms in the field of comics and animation which are essential for making both of them. My research problem will be input of a motion into a comic, therefore I am going to make an author animated movie as a final product of my master's degree. I am going to analyze its process through understanding differences and similarities. By including different authors from both artistic fields I am going to discuss a historical view while also look for the reasons for common perception about animated movies being mainly appropriate for children. Analysing my own art works and making interviews with professional animators will give my research a qualitative note in approach.

Keywords:comic

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