Astrid Lindgren - breaking the magic code and establishing a new one - soul journey

Blažič, Milena (author)

In Mio My Son and The Brothers Lionhearts, Astrid Lindgren broke the rules of the fantasy genre, especially in the third phase of the heroic journey when Mio and In Mio My Son and The Brothers Lionhearts, Astrid Lindgren broke the rules of the fantasy genre, especially in the third phase of the heroic journey when Mio and [Archivio: /home/kike/Descargas/ailij/Anuario2009_7_2.pdf] the brothers — Jonathan and Karl did not return to the real chronotope (real time and place). Instead, they remained in the fantasy chronotope (fantasy time and place). With this rupture of the traditional fantasy code, Lindgren created a new modern pattern in the fantasy genre in Mio My Son: home (Thirteen North Street in Stockholm) — away (Farawayland) — far away (The land on the other side or Outer Land) and in 7/e Brothers Lionheart: home (2nd floor at Fackelrosen building), away (jump out to fantasy 1 Nangiylima) and far away (jump out to fantasy 2 Nangilima). This rupture of the traditional fantasy code grew out of the modern concept of child and childhood, which rejected the traditional romantization of child and childhood in children's literature.

• Language: English
• Keywords: fantasy, chronotope, codes, rupture
• Work type: Article
• Typology: 1.01 - Original Scientific Article
• Organization: PEF - Faculty of Education
• Publication status: Published
• Publication version: Version of Record
• Year: 2009
• Number of pages: Str. 29-37
• Numbering: Vol. 2, no. 7
• PID: 20.500.12556/RUL-106192
• UDC: 82-93
• ISSN on article: 1578-6072
• COBISS.SI-ID: 8279881

Copyright

Podatek o licenci CC-BY-NC-ND 4.0 je naveden na spletni strani revije (https://revistas.uvigo.es/index.php/AILIJ/about). (Datum opombe: 5. 9. 2025)

Note

KLJUČNE BESEDE: fantastična pripoved, fikcija, mladinska književnost

• Publication date in RUL: 27.03.2019

Record is a part of a journal

• Title: Anuario de investigación en literatura infantil y juvenil
• Shortened title: Anu. investig. lit. infant. juv.
• Publisher: Universida de Vigo, Asociación Nacional de Investigación de Literatura Infantil y Juvenil
• ISSN: 1578-6072
• COBISS.SI-ID: 8279625

Licences

• License: CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
• Link: http://creativecommons.org/licenses/by-nc-nd/4.0/
• Description: The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.

Secondary language

• Language: Spanish

Abstract

En la obra Mio My Son y The Brothers Lionhearts Astrid Lingren rompe las reglas del género fantástico, especialmente en la tercera fase de su viaje heroico cuando Mio y los hermanos, Jonathan y Kart no regresaron al cronotopo real (al tiempo y lugar real) y se quedaron en el cronotopo fantástico (tiempo y lugar fantástico). Con esta ruptura del código tradicional de la fantasía, Lindgren creó un nuevo diseño en el género fantástico en Mio My Son: El hogar (calle del norte número 13 en Estocolmo), -lejos (La tierra del más allá), -más allá (La tierra exterior de Outer land) y en The Brothers Lionhearts: El hogar (el segundo piso del edificio Fackelrosen), lejos (salto a la fantasía 1 Nangiylima) mas allá (salto a la fantasía 2 Nangilima). Esta ruptura del código tradicional de la fantasía se convierte en un concepto moderno del niño y la niñez que rechaza el concepto romántico del niño en la literatura infantil.

• Keywords: fantasía, cronotopo, códigos, ruptura