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Interpretacija slovenske dediščine v sodobno kolekcijo oblačilnih izdelkov
ID Vilman Proje, Jana (Author), ID Bogataj, Janez (Mentor) More about this mentor... This link opens in a new window, ID Bizjak, Matejka (Comentor)

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Abstract
Narodna noša predstavlja veliko več kot le formo in obrtniške tehnike izdelave. Predstavlja pripadnostni simbol, ki se je kot tak najprej izoblikoval zaradi potrebe po izkazovanju pripadnosti slovenstvu z oblačilno podobo, z razvojem in splošnim sprejetjem v širših predstavnih skupnostih pa je postal splošni vizualni identifikacijski simbol. Še danes, kadar želimo z oblačilno podobo izkazovati slovensko istovetnost se kostumiramo v slovenski pripadnostni kostum, saj se sodobne oblike pripadnostnega oblačenja na območju Slovenije niso razvile. Cilji doktorske disertacije se nanašajo na vprašanje, kako oblikovati sodobno modno oblačilno podobo, ki bo odraz sodobnega časa in sodobne razpoznavnosti Slovenije. Teoretična izhodišča podajo razumevanja o tem kaj je kulturna dediščina, kako je vezana na nacionalno pripadnost in ustvarjanje novih istovetnosti, ter vpogled v pomen oblačenja ter razvoj pripadnostnega kostumiranja. Analiza stanja oblačilnih praks v turizmu in za turizem na področju Slovenije je pokazala, da se večina turističnih delavcev oblači v lastna oblačila. Na podlagi študije primera z lastno udeležbo je razvit model za oblikovanje pripadnostnih oblačil z izhodiščem v kulturni dediščini za potrebe turizma, ki je preizkušen v eksperimentalnem delu naloge. Opravljene raziskave podajo definicije o tem kakšno oblačilno podobo in katere sestavne dele širša slovenska javnost pojmuje oziroma prepoznava kot slovenski pripadnostni kostum, ter katere tekstilne motive istoveti s slovenskim. Kot slovenski motiv je prepoznan nagelj, ki je bil preoblikovan v tri sodobne kompozicije motivov, njihova istovetnost s slovenskim pa je bila ponovno preverjena prek mnenja širše javnosti. S slovenskim istoveten sodobni motiv z nageljni je bil vključen v predloge oblačilnih kosov za potrebe izkazovanja pripadnosti slovenskemu z oblačilno podobo in njegove možnosti aplikacije na druge izdelke. V disertaciji je dokazano, da sta izbor izhodiščne zgodbe in oblikovanje simbolnega znaka, ki ga kot takega prepoznavajo pripadniki skupnosti, izredno pomembna za oblikovanje pripadnostnih oblačil.

Language:Slovenian
Keywords:pripadnostna oblačila, turizem, pripadnostni simboli, modno oblikovanje, kulturna dediščina
Work type:Doctoral dissertation
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2018
PID:20.500.12556/RUL-105916 This link opens in a new window
Publication date in RUL:23.12.2018
Views:2009
Downloads:413
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Secondary language

Language:English
Title:Interpretation of Slovenian Heritage into Contemporary Clothing Product Collection
Abstract:
The objectives of the Ph. D Thesis refer to the question of how to design a modern clothing image that will reflect modern times and the contemporary recognition of Slovenia. Theoretical standpoints provide us with the understanding of cultural heritage and how it is related to national affiliation and the creation of new identities, and they offer an insight into the importance of clothing and into the development of affiliated costume clothing. The analysis of clothing practices in tourism and for tourism in Slovenia has shown that most tourism workers wear their own clothes. On the basis of a case study and our own participation, has been developed a model for designing affiliation clothing arising from cultural heritage for tourism needs, which has been checked in the experimental part of the dissertation. The research performed has provided the definitions about our clothing image and what elements are considered or recognised by the Slovenian public as Slovenian affiliation costume and what textile motifs are identified as Slovenian. The carnation has been identified as a Slovenian motif and transformed into three modern motif compositions, and their identification has again repeatedly been verified by checking the opinion of the wider public. The modern carnation motif, identified as Slovenian, has been incorporated in the proposals for garments used to show affiliation to Slovenehood with the clothing image and we have studied the possibilities of applying it on other products. The dissertation has proven that the selection of the original story and the design of the symbol, recognised as such by the members of a community, are very important for designing affiliated clothing.

Keywords:affiliated clothing, tourism, affiliation symbols, fashion design, cultural heritage

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