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Čemu podoživeti doživeto? / Ujeti ravnovesje – Grintovčev steber
ID Žvokelj, Klara (Author), ID Kreft, Lev (Mentor) More about this mentor... This link opens in a new window, ID Počivavšek, Matjaž (Mentor) More about this mentor... This link opens in a new window

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Abstract
Estetika je glavni okvir teoretične raziskave te magistrske naloge, ki je sicer ozka presečnica treh širših množic: filozofije, alpinizma in umetnosti. Slednja je primarno izhodišče moje magistrske prakse. Za raziskavo in razumevanje le-te pa je potrebno opredeliti vsebino skupne presečne množice v odnosu do vsake primarne. Zato se v prvem delu magistrske naloge osredotočam na moderni estetski fenomen doživetja in podoživetja predvsem med Diltheyevem in tudi Simmlovem kontekstom ter doživetij in podoživetij s področja predvsem predstavnikov slovenskega alpinizma. Teoretična raziskava je pomembna baza nadaljnjega razvoja koncepta praktičnega magistrskega dela. V drugem, praktičnem delu naloge, se tekom koncepta naloga osredotoča na dinamične povezave med lastno umetniško (kiparsko) z alpinistično prakso ter med slednjo vezjo in estetsko stvarnostjo. Ob tem ne morem mimo nekaterih referenčnih umetniških praks ter opredelitve lastne. Praktični del je točka združevanja objektivnega zgodovinsko - estetskega stališča z lastnim subjektivnim metafizičnim svetom.

Language:Slovenian
Keywords:kiparstvo, alpinistična umetnost, novo spomeniško kiparstvo, estetika, doživetje - podoživetje, alpinistična kultura, sodobna umetnost, skulptura, forma, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2018
PID:20.500.12556/RUL-105089 This link opens in a new window
Publication date in RUL:25.10.2018
Views:857
Downloads:220
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Secondary language

Language:English
Title:Why to relieve the experience of life? / Striking a balance
Abstract:
Esthetics is the main theme that builds the frame of the theoretic research of this thesis, which consists of a narrow intersection of three wider themes: philosophy, mountain climbing and art. The last is the primary base for the practical part of the thesis. For the research to be explained and understood it is necessary to determine the content of the mutual intersection group in connection to each primary theme. The first part of this thesis has the focus on the modern esthetic phenomenon of experience and reliving, especially between Dilthey’s and Simmel’s contexts and the experience and reliving among representatives of Slovene mountain climbers. The theoretical research is an important base for the ongoing development of the practical concept of the thesis. The second and practical part of the thesis concentrates on the dynamic connection between the author’s personal practical (sculptural) mountaineering and the connection between the mentioned topic and ecstatic reality. During this research, some referential art-practices and the characterization of the author’s own art cannot be ignored. The practical part is the point of coalition between the objectively historical-esthetic standpoint with the author’s own subjective metaphysical world.

Keywords:sculpture, alpin art / mountain climbing art, new memorial sculpture, aesthetics, experiance - relive, alpinistic / mountain climbing culture, contemporary art, sculpture, form, MA thesis

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